Theatrical Set Designs

Detailed stage designs showcasing ornate interiors, columns, and sculptures. Captures the grandeur of theatrical architecture and historical performance settings.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Stage sets, Gallery in rocaille cartouche, verso - stamped, Court scene in rocaille frame. Figures with oriental clothing in a gallery. Publisher number 116., print, ornamental print, prints, ornamental prints, height 201 mm, width 296 mm, print maker, printmaker, 1750 - 1750, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Stage Design: Temple of Vengeance, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Interior of temple in circular form dome supported by columns and decorated with sculptural centerpiece, griffons in front and statues between the columns., Rome, Italy, Italy, 1796-1801, theater, Drawing, Drawing

WILLEY PARK

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Stage sets, Gallery in rocaille cartouche, verso - stamped, Court scene in rocaille frame. Figures with oriental clothing in a gallery. Publisher number 116., print, ornamental print, prints, ornamental prints, height 201 mm, width 296 mm, print maker, printmaker, 1750 - 1750, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Monument to Jan Olbracht from the album: graves and monuments of Polish kings in Krakow; Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (1851-00-00-1851-00-00);

Theater scene in the Nederduitsse Schouwburg in The Hague, Paulus Constantijn La Fargue, after Johannes van der Wal, 1767 print Four as soldiers dressed actors are on the scene of the Nederduitsse Schouwburg on Voorhout in The Hague. The decor with perspective effect is decorated with columns and volutes. Above a stork with an eel in his beak, the symbol of The Hague. The Hague paper etching / engraving theatre, theatrical performance. group of actors, troupe; actors on the stage. theatre (building)

Design for a Stage Set 1688-1742 Attributed to Pietro Righini. Design for a Stage Set 346115

Plate showing the interior of an upholstery shop. Engraving from Denis Diderot, Jean Baptiste Le Rond d'Alembert, L'Encyclopedie, 1751-1757. Entitled Tapissier (Upholsterer).

Two faces in the Grotto in the garden of Villa Pratolino, Stefano della Bella, 1620 - 1664 print Two faces in the Grotto in the garden of Villa Pratolino, from the left and from the right. Central to the Grotto a fountain with a sculpture of an old man with a jug. Against the rear walls representations of river gods and of a winged figure with a trumpet. A staircase outside the Grotto. Italy paper etching artificial grotto in garden. ornamental fountain. river-gods Villa Pratolino

Pulpit in the Nieuwe Kerk in Amsterdam. View of the between 1649 and 1664 by Albert Jansz. Vinckenbrinck produced pulpit in the new church in Amsterdam. On the right in the foreground a mother with a child and left a standing man.

Design for Covent Garden Drop Curtain, Thomas Grieve, 1799-1882, British, 1823, Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 10 1/8 inches (23.8 × 25.7 cm), arch, architectural subject, statues, steps, Covent Garden, England, Europe, London, United Kingdom

Interior of a palace. Draughtsman: Jan Hendrik Troost van Groenendoelen. Dating: 1757. Measurements: h 173 mm × w 143 mm. Museum: Rijksmuseum, Amsterdam.

Interior of the Oudegracht 265 house in Utrecht; The room with wall paintings from the life of Pope Adriaan VI, manufactured by Dionys van Nijmegen (1798), namely the mother of Adriaan aan de Wastobbe and the moment when Maximilian of Austria is entrusting him with the education of his grandson Karel V.

The body of iphis is carried away; MAGESYN DER ITALIAN BUILDINGS. The dead body of iphis, which has committed suicide, is lifted out of a palace with the help of a stretcher. Anaxarete faces from a balcony. In the background a look to the gardens. Caption in French. The print is part of an album.

Netherlands, The bed has a rail around the canopy from which retracted curtains hang. On either side is an armchair against the wall. Reverse copy after sheet from the series Second Liure Dappartements., print, ornamental print, prints, ornamental prints, height 276 mm, width 188 mm, Work conception, 1663 - 1752-06-04, after design by, 1703 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publicatie, publisher, uitgever" Netherlands, Marot, Daniël (I), Liure dappartement, Hemelbed, The bed has a rail around the canopy from which retracted curtains hang. On either side is an armchair against the wall. series Second Liure Dappartements., ornament print, height 275 mm, width 189 mm, after a design by

Tomb of Balth. Fredericus von Stosch in the Janskerk in Utrecht., draughtsman: Gerrit Lamberts, 1786 - 1850, paper, pen, brush, h 224 mm × w 276 mm

Interior of St. Peters, with the Illumination of the Cross of St. Peter. Dated: 1750-1778. Dimensions: plate: 76.52 × 51.12 cm (30 1/8 × 20 1/8 in.) sheet: 89.22 × 63.5 cm (35 1/8 × 25 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francesco Piranesi.

Sketchbook Page: Atrium, San Pietro, Bologna and Detail from San Pietro; Detail from S. Michele in Bosco; Verso, Geometrical Studies of Heads, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over traces of graphite on laid paper, At top, atrium of archbishop in Bologna, shown with view of cathedral; inscribed: atrio/ Bramante s Pietro Vescovato. At left, interior of cathedral by Domenico Tibaldi, 1575; inscribed: S Pietro Bramante Bologna. At center, segment of stalls from S. Michele in Bosco, by Fra Raffaele, 1521. Two niches: priest hearing confession from woman; inscribed above: monumento del cinque cento S Michele in/ Basco Bologna 1811. Bottom: panel with eagle over cornucopias, candelabrum. Right half of capital; trophy of arms; two candelabra. Inscribed at bottom: monumenti del/ cinquecento. Bologna. Inscribed at top center: 129. Inscribed at left bottom corner: 67. Verso: Twenty studies on proportion; fourteen studies of heads; foot study; study compar

Collage with the murder of Willem van Oranje made from different prints. The ETS, published by Frans Hogenberg, with the murder of Willem van Oranje, mounted on a backsheet and processed into a collage for which parts of six or seven other prints have been used. The Prinsenhof, where the murder takes place, has been cut from architectural prints to a substantial palace with the help of parts. On the right, a fragment from another print of Hogenberg has been added, namely the right part from La Motte-Gondrin hung in Valenciennes (1562). The whole is colored by hand.

Pierre Moreau, Funeral Scene in Imaginary Architecture Funeral Scene in Imaginary Architecture

Graftombe of William I, Prince of Orange, 1623, Johannes Jelgerhuis, 1796 - 1850 print Graftombe or Praalgraf from Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince. With visitors around the fence. In the lower margin two columns with three lines of Dutch and three lines of French text. print maker: Northern Netherlandsprinter: Low Countriespublisher: Delft paper grave-building, monumental tomb. interior of church. historical persons New church. Delft

Monuments of Kazimierz and W Adys Jagiello from the album: The graves and monuments of Polish kings in Krakow; Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (1851-00-00-1851-00-00);

A View of the Temple of Bacchus at Rome, Print made by Georges François Blondel, 1730-ca. 1791, French, after Georges François Blondel, 1730-ca. 1791, French, 1765 to 1767, Mezzotint, Sheet: 22 3/8 x 16in. (56.8 x 40.6cm)

Fireworks at the celebration of the Peace of Utrecht, 1713; Figure of the theater with his ornaments and the Convytrigh Vuurvert, founded by ordere from her possibly. The Lord States General der Kerende Nederlanden (...) in S 'Gravenhage, in the Vyver (...) / La Figure du Theater Avec Ses Orgenens et Le Beau Artifice de Feu, Fait Par l'Ordre de Leurs Hautes Puissances Les Estats Gex. Des Prov's. Unions ... a la Haye, dance le vivre .... Stellage with fireworks set up commissioned by the States General at the Hofvijver in The Hague at the celebration of the Peace of Utrecht, 14 June 1713. A temple has been established in the pond with a painting on which peace and abundance thrones on clouds and Mercury brings good time. At the bottom of the title and legend 1-19 in Dutch and French.

Proof impression with Corrections and Instructions of a Print celebrating the Union and Lineage of Eriprand de la Tour with the Comtesse de Valsasine 17th century Anonymous, French, 17th century French Portfolio containing drawings and prints recording designs for funerary monuments and altars. While part of the drawings are sewn together in a quire, the group as a whole seems to have been compiled at a later date.. Proof impression with Corrections and Instructions of a Print celebrating the Union and Lineage of Eriprand de la Tour with the Comtesse de Valsasine 656749

Theater decor with dancers and centaur in column gallery, Israel Silvestre, 1654 print Paris paper etching / engraving the ballet, ballet performance. stage design. (story of) Peleus and Thetis. centaurs

Design for a Stage Set. Artist: Giovanni Maria Quaglio I (also known as Giulio Quaglio III) (Italian, Laino ca. 1700-1765 Vienna). Date: 1700-1765. Museum: Metropolitan Museum of Art, New York, USA.

Rijn, Rembrandt van, Medea: or the marriage of Jason and Creüsa, verso bottom center, print, prints, height 240 mm, width 177 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1648, second quarter 17th century, Oriental paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

The third of Latyczowski in Podolia; Bacheler, Charles Claude (Ca 1830-Ca 1887), Lemercier, Benard et Cie (Paris after 1848 (1849-00-00-1860-00-00);

Bliżej Kultury Dymamentowski, Piotr (N.N.), Matejko, Jan (1838 1893)

Rohscan

Design for Corner of Painting Ceiling with architectural perspective 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for Corner of Painting Ceiling with architectural perspective 365536

Interior of a Church, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Brown wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 5 7/16 × 6 15/16 inches (13.8 × 17.6 cm)

In the Marble City Made 1909 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Catafalque of Leopold, Archduke of Austria. Artist: Wilhelm Frommer (German, Augsburg 1618-1687 Augsburg). Dimensions: Sheet (Trimmed): 11 13/16 × 7 3/8 in. (30 × 18.8 cm). Date: 1646. Museum: Metropolitan Museum of Art, New York, USA.

Theater Decor: Contemporary Chamber, Reinier Vinkeles (I), After Pieter Barbiers (I), 1776 print The CoulissenDecor contemporary room, with a scene from: De Hagenaar in Enkhuizen. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching / engraving stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

Scene from the Opera de Deserteur, 1772, Cornelis Bogerts, after Pieter Barbiers (I), After Rysschoot, 1772 print Scene from the second part of the Opera de Deserteur. During the performance of this opera in the Amsterdam Schouwburg on the Keizersgracht on 11 May 1772, the fire broke out. Under the show the assignment and title in Dutch and French, with the coat of arms of Gerritsz in the middle. Hooft. Amsterdam paper etching / engraving opera. armorial bearing, heraldry Schouwburg Keizersgracht (1637-1772)

Arnold von Westerhout, Il Greco in Troia Plate 8 Il Greco in Troia: Plate 8

True, Cornad (1673-1710) to Pozzo, Andrea (1642-1709). The complete theitrum with his light and shadow. Sting; 27 x 16.5 cm. Figura 47. Off: The Mahler and Builder perspective, 2nd part, printed Bey Peter Detleffson. Dresden: Slub Art.Plast.274

Fourth wall of a room with various functions, Anonymous, After Cornelis Meijer, 1696 print View of one of the four walls of a room, with various numbered storage options in the wall. In the middle a fireplace and a chair. In the foreground a dog and a cat with a dead bird. Rome paper etching open hearth, fire-place. interior of the house. cat. dog

Display wall with silver and gold vases in the Tower Room of Dresden Palace. Date/Period: 1665 - 1742. Graphics. Height: 670 mm (26.37 in); Width: 476 mm (18.74 in). Author: Raymond Leplat.

Graftombe of Willem I, Prince of Orange, 1623, Johannes Cornelis Zürcher, c. 1809 - 1853 print Graftombe or Praalgraf from Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince. Northern Netherlands paper etching grave-building, monumental tomb. interior of church. historical persons New church. Delft

Design for Stage Set 1698-1765 Attributed to Giovanni Battista Natali III Italian. Design for Stage Set 361999

Design for room wall with two variants for the upper door. Draughtsman: Jurriaan Andriessen. Dating: c. 1752 - c. 1819. Measurements: h 213 mm × w 389 mm. Museum: Rijksmuseum, Amsterdam. Author: Jurriaan Andriessen.

Photo production of a drawing, Representing The Interior of the Opera Garnier in Paris; Fountain of Pythia, under the large staircase of the opera. .

Antwerp, Maes, Joseph, Saint Dymphna Church, Retable, 15th century, Altarpiece of gilded and polychrome wood, depicting scenes from the life of Saint Dymphna of Geel, in the Saint Dymphna Church in Geel, Belgium, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, RETABLE en bois, recto - printed, RETABLES. - PL. 6., JJvY, height 231 mm, width 341 mm, photographer, 1882 - 1887, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception

Decor with the old-fashioned citizens' room in the Nieuwe Schouwburg in Amsterdam with a scene from the play The Stepmother. In the room, the orchestra is playing and the audience is watching, including from the lodges. In the margin below is a verse in six lines, Decor with the old-fashioned citizens' room in the Nieuwe Schouwburg in Amsterdam De Ouderwetsche Burgerkamer. With the image of the Twelfth Tooneel from the farce De Stiefmoer Decor in the Nieuwe Schouwburg in Amsterdam , print maker: Cornelis Brouwer, (mentioned on object), after: Pieter Barbiers (I), (mentioned on object), intermediary draughtsman: Daniël Kerkhoff, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1787, paper, etching, engraving, h 332 mm × w 413 mm

Antwerp, Jode, Gerard de, Vredeman de Vries, Hans, Doetechum, Lucas van, Joannes van (I), Artis Perspectivae, Street view with wall fountain, Street view with on the right a wall fountain with three statues in niches. The fountain is placed against the side of a staircase. On the left on the street a woman with a child in her hand. This print is part of an album., print, album sheet, prints, height 173 mm, width 248 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1568 - 1568, paper, etching, etchings, - 1589, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1509 - 1591-02-05, publisher

Design for a Stage Set at the Opéra, Paris: Church Interior 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris: Church Interior 358951

Jean Démosthène DuGourc drawing of a board decoration for the opera 'Iphigénie en Tauride,' executed with black and brown pen and brush, wash over lead handle, folding sheet, circa 1780.

Tomb for Engelbrecht II in the Princes Chapel of the Church of Our Lady in Breda, died on 31 May 1504 In the lower margin a line of French text, Funeral monument to Engelbrecht II, Count of Nassau-Dillenburg-Breda, 1504, print maker: anonymous, anonymous, Low Countries, 1800 - 1899, paper, h 237 mm × w 277 mm

Stuttgart. View of the castle crops; verso: sketch of a sitting and more than a woman; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Stuttgart (Germany), Castle (Stuttgart - Germany), architecture, brick architecture, foreign architecture, foreign architecture, gift (provenance), women , cloisters, characters, sitting, crying characters, sketches, castles (architect)

The gallery of Notre-Dame Charles Séreon (1821-1868). "The Gallery of Notre-Dame". Forte, 1853.

Study for St Stephen's Walbrook, from Microcosm of London 1807-1809 England. Graphite on ivory wove paper . Augustus Charles Pugin

The Imperial Banquet, in the Great Hall of Tuileries Palace, on the occasion of the marriage of the Emperor with S.A.I. The Archiduchess of Austria. Charles-Pierre-Joseph Normand (1765-1840) According to Charles Percier (1764-1838) and Pierre-Fran�ois-L�onard Fontaine (1762-1853), architects. Album of the marriage of 1810. The imperial banquet, in the great hall of the Tuileries Palace, on the occasion of the marriage of the emperor Napoleon I and the Empress Marie-Louise of Austria. Etching.

Burial chamber of Roman senator Lucius Arruntius the Younger. and family. It contains sarcophagi, marble cinerary urns, funeral altars, skulls, bones, etc. The vault is decorated and the floor a mosaic. Camere sepolcrali. Handcoloured copperplate engraving by Corsi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1843.

Schouwburg with theater decor: the contemporary bugker room, Cornelis Brouwer, after Jan Bulthuis, after Christian Henning, 1794 print Theater performance in the new Amsterdamse Schouwburg with the scenic decor The contemporary bugker room, with a scene from the rooted silly Juffer, or the attacking pooët. The decor printed of a separate plate within a renewed passe-partout with the room, side slices, pillars with statues and the facade of the stage. A six -line verse in the caption. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

Voyage en Italie en 1822, 1833. Jean-Baptiste Isabey (French, 1767-1855). Lithograph;

Blancard, Hippolyte (1843 - D.1924), the Galerie des Antiquités Romaines at the Louvre museum, 1st arrondissement, Paris (dummy title), 1890. Platinum draw. Carnavalet museum, history of Paris.

Design for a Stage Set: A Town Square with a Fountain. 1657-1743 Ferdinando Galli Bibiena Italian. Design for a Stage Set: A Town Square with a Fountain.. Ferdinando Galli Bibiena (Italian, Bologna 1657-1743 Bologna). 1657-1743. Pen and brown ink, brush with gray and brown wash over graphite. Drawings

Drawing by Hans Vredeman de Vries of a five-aisled temple hall featuring Christ among the scribes, executed in brown ink, dated 1557.

Gide et J. Baudry, Paris, Lemercier, Rijn, Rembrandt van, Bisson Frères, Photographic reproduction of an etching of Medea or The Wedding of Jason and Creusa by Rembrandt van Rijn, photograph, photo, page, reproduction, photos, photographically illustrated books, height 241 mm, width 178 mm, French, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after a print by, printer, Publication (Event), Publication, publisher

Gallerie , Gallery in the city palace of Prince Eugen in Himmelportgasse, Salomon Kleiner -, artist

Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti. Dimensions: Plate: 8 5/16 x 12 3/16 in. (21.1 x 31 cm). Etcher: Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome); Giovanni Francesco Venturini (Italian, active ca. 1650-1700). Publisher: Published by Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: 1691 or after.Third part of the print series on the fountains of Rome and its surroundings published by Giovanni Giacomo de Rossi. 'Le Fontane ne' Palazzi e ne' Giardini', portrayed by Venturini and Falda, contains a title page, an allegorical frontispiece with dedication to Livio Odescalchi Duke of Ceri, and 26 plates of views. Museum: Metropolitan Museum of Art, New York, USA.

Graftombe of Willem I, Prince of Orange, 1623. Graftombe or Praalgraf of Willem I in the new church in Delft, completed in 1623. Seen from the side with the image of the lying prince.

Side Altar, San Luis Rey Mission. Dated: 1941. Dimensions: overall: 36.8 x 29.4 cm (14 1/2 x 11 9/16 in.) Original IAD Object: 1/2"-1' approx.. Medium: watercolor, colored pencil, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William Kieckhofel.

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Interior of the Tribuna of the Uffizi in Florence, Anonymous, c. 1870 - c. 1890 photograph Part of Reisalbum with photos of sights in Genoa, Florence and Venice. Uffizi Gallery paper. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ sculpture). picture, painting. permanent exhibition, museum Uffizi Gallery

Drawing, Interior of St. Peter's Illuminated; Attributed to Louis-Jean Desprez (French, active Sweden, 1743-1804); Italy; pen and black ink, brush and brown wash, white gouache on cream laid paper, mounted on greyish-green paper; 46.5 × 34.1 cm (18 5/16 × 13 7/16 in.) Mount: 52.2 × 37.6 cm (20 9/16 × 14 13/16 in.); Bequest of Joseph F. McCrindle; 2009-4-3

History of Germany 1820-50 Carl Heinrich Hermann German. History of Germany. Carl Heinrich Hermann (German, Dresden 1802-1880 Berlin). 1820-50. Pen and black ink. Drawings

States of Holland and West Friesland, The Hague, Beeck, Anna, Northern Netherlands, Vianen, Jan van, Le Château Roial de Ryswick Appellée de Neubourg with various apartments or conferences of the General Peace, The Royal Castle of Ryswick, called Nieuwburg, with all its rooms and views, in particular where the Conferences of the General Peace were held, &c., Series of fifteen prints about the Huis ter Nieuburg in Rijswijk and the peace negotiations, 1697, The room where the ambassadors of France meet, La chambre ou s'assemblent les ambassadeurs de France, Chamber of the French ambassadors in the Huis ter Nieuburch in Rijswijk, The room of the French ambassadors in the Huis ter Nieuburch in Rijswijk. In the caption the two titles in French and Dutch. Part (print 8) of the series of fifteen prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations held there resulting in the Peace of Rijswijk concluded on 20 September 1697., print, prints, Frederik Muller Historieplaten,

Dresden Published 1833 England. Lithograph in black on grayish-ivory chine, laid down on ivory wove paper . Samuel Prout

Figures in the Portico of Sainte-Geneviève le Panthéon, Paris. Artist: Gabriel de Saint-Aubin (French, Paris 1724-1780 Paris). Dimensions: 7 1/8 x 6 in. (18.1 x 15.3 cm). Date: 1776-79. Museum: Metropolitan Museum of Art, New York, USA.

St Eligius Artist's working dates 1526-1551 France. Engraving on tan laid paper . Jean de Gourmont

49. Azienka Diana in Vienna; Mollo, Tranquillo (1767-1837), Gurk, Eduard (1801-1841), Zinke, Johann Wenzel (1797-1858); 1818 or 1823 (1818-00-00-1823-00-00);

Bedstede in the De Pauw house in Dordrecht, Johannes Rutten, 1819 - 1884 drawing paper. watercolor (paint) brush built-in bedstead (Dutch: 'bedstee') House De Pauw. Dordrecht

9 RUE MOLIERE Jules-Adolphe Chauvet (1828-1906). 9 Moli�re rue. Pencil, lavis, enhanced white gouache on beige paper.

Loggia and garden of the Villa Medici in Rome; Fontana di Mercurio Nel Giardino del Gran Duca di Toscana Alla Trinita de Monti (...); Le Fontane Ne Palazze E Ne Giardini di Roma; Fountains in the palaces and gardens of Rome. In the loggia a fountain with sculpture by Mercury by Giambologna and the two Medici Leeuwen. In the foreground a sculpture by Silenus with the young Bacchus and a sculpture of Venus. Numbered at the bottom right: 9. The print is part of an album.

Room decorated in the Egyptian style, with man seated on a carpet, servants bringing drinks, grandfather clock, cushions and curtains. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843.

Kolumnada, fragment parku w Wersalu. Best, Jean (1808-1879), graphic artist, Hotelin, Laurent (1821-non ante 1884), graphic artist, Brunox (Wersal ; zakład litograficzny, wydawnictwo ; ca 1850-1865), publisher

Lazio Latina Cori S. Oliva7. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bernard Lens, 1659-1725, British, Mary Magdalen's Tomb.

Ennemond Alexandre Petitot, Design for a Stage Curtain The Interior of an Elaborate Temple Dedicated to Illustrious Men, 1780s Design for a Stage Curtain: The Interior of an Elaborate Temple Dedicated to Illustrious Men

John Thomas Smith, 1766-1833, British, Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed.

Mosskovskie terema. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Illumination of the house of Tobias Boas for the entry of William V and Wilhelmina of Prussia, 1767, anonymous, 1767, Illumination of the house of the Jewish banker Tobias Boas at The Hague, on the occasion of the entry of the newly married Stadtholder William V and his spouse Princess Wilhelmina of Prussia at The Hague on November 9, 1767. Gable decorated with panels with allegorical representations, arms and lanterns., draughtsman: anonymous, Northern Netherlands, 1767, paper, h 576 mm × w 375 mm

Benjamin West, 1738-1820, American, active in Britain (from 1763), Design for a Wall of the Chapel of Revealed Religion, ca. 1780. Watercolor with pen in gray and black ink on medium, moderately textured, cream, laid paper.

Drawing, Study for Watercolor, Siena Cathedral; Walter Shirlaw (American, b. Scotland, 1838-1909); USA; graphite and watercolor on paper; 32 × 62.8 cm (12 5/8 × 24 3/4 in.)

Unknown photographer, Galleria dell´ Inconsolabile, Pisa (without dat.): Gallery of Campo Santo with sarcophages, sculptures and frescoes. Photo on cardboard, 30.2 x 37.4 cm (including scan edges)

Il Greco in Troia: Plate 8. Medium: etching and engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: Arnold von Westerhout.

Common Council Chamber, Guildhall November 1, 1808 Designed and etched by Thomas Rowlandson. Common Council Chamber, Guildhall. Microcosm of London, pl. 42. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). November 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4, George Cressal Ellis, ca. 1810-1875, undated, Watercolor and graphite on wove paper, laid down on contemporary laid paper mount, Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm) and Mount: 6 5/8 × 9 inches (16.8 × 22.9 cm), architectural subject, literary theme

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Marches Macerata Tolentino S. Nicola da Tolentino0. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

Netherlands, Zürcher, Johannes Cornelis, Tomb of William I, Prince of Orange, 1623, Tomb or mausoleum of William I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the side with the statue of the reclining prince., print, prent, prints, Orange portraits, height 202 mm, width 269 mm, Dutch, 1794-05-04 - 1882-02-13, print maker, printmaker, 1825 - 1828, paper, papier, etching, etchings, aquatint

Photo production of a drawing, Representing The Foyer in the Opera Garnier in Paris; Public home of the new opera. .

Drawing, Painted Wall Decoration; Giacomo Casa; Italy

Beckmann Carl (1799-1859), room decoration, Gdansk (without date): interior view. Pencil watercolored on paper, 20.6 x 25.6 cm (including scan edges)

Staircase of 28 rue de Bi�vre, district Saint-Victor, 5th arrondissement Jules Adolphe Chauvet (1828-1906). Staircase of 28 rue de Bi�vre, district Saint-Victor, 5th arrondissement. Lead mine, ocher lavis and bristle, white gouache enhanced on blue paper.

Watercolor by Vincenzo Feoli showing the gallery of candelabra and tapestries in the Vatican, focusing on architectural and decorative details.

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