Urban Etchings and Landscapes

Etchings depicting urban street scenes, capturing the essence of city life through architectural details and atmospheric perspectives.

James McNeill Whistler (American, 1834-1903), The Garden Porch, 1894, lithograph

The Venetian Mast 1879-1880 United States. Etching in black ink on ivory laid paper . James McNeill Whistler

Street in Bologne. Jabłczyński, Feliks (1865-1928), graphic artist

James McNeill Whistler, The Rialto, 1880 The Rialto

Fitzroy Square. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1878/1881. Prints; etchings. Etching

James McNeill Whistler (American, 1834-1903), The Garden Porch, 1894, lithograph

Etchings of Paris: The Street of the Bad Boys, 1854. Charles Meryon (French, 1821-1868). Etching;

Tower with country names, Carel Adolph Lion Cachet, 1917 print A tower in the scaffolding with the name of an area on each floor. From bottom to top: America, England, France, Russia, Italy, Japan and Africa. Above the tower the text: "The one that has been, that's now, and what will be, that has already been. paper the building of the Tower of Babel; Nimrod may be present, supervising or assisting the construction Northern and Central America. England. France. Russia. Italy. Japan. Africa

Market in a Belgian village, Willem Adrianus Grondhout, 1888 - 1931 print In the foreground figures on a market on a square. In the background a church with air arches. paper etching market. square, place, circus, etc.. church (exterior) Belgium

Drawing (Italy)

Bridge of Sighs, Venice, 1883. Frank Duveneck (American, 1848-1919). Etching;

Albrecht-D, print maker: Joseph Hartogensis, (mentioned on object), unknown, c. 1837 - 1865, paper, etching, h 46 mm - w 33 mm

Calle del Paradiso Made 1909 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

The piazzetta. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

James McNeill Whistler, Fitzroy Square Fitzroy Square

The Dark Canal, Venice Made 1908 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

The Hague, Weissenbruch, Jan, View of a corner house in Leiden, Two women standing in front of a corner house., print, prent, prints, prenten, height 81 mm, width 54 mm, Dutch, 1822-03-18 - 1880-02-15, print maker, prentmaker, 1837 - 1880, paper, papier, chine collé, etching, etsen

Ex-Libris Edwin Edwards , Coats of arms, Greyhounds, Houses, Alphonse Legros (1837-1911)

Childe Hassam, Avenue of the Allies, 1918 Avenue of the Allies

Balcony, Amsterdam. Dated: 1889. Medium: etching and drypoint in brownish-black ink. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Stadsplein with a round fountain, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1600 Square with a fountain, surrounded by a balustrade in which the left and right access gates are located. The fountain consists of four small basins in which children with fish tails spit. These children support the large vase -shaped pelvis that is crowned by a water -squirting sphere under a shelter. The print is part of an album. Antwerp paper etching Square with a fountain, surrounded by a balustrade in which the left and right access gates are located. The fountain consists of four small basins in which children with fish tails spit. These children support the large vase -shaped pelvis that is crowned by a water -squirting sphere under a shelter. The print is part of an album. Antwerp paper etching

The Mast (The Venetian Mast) 1879-80 James McNeill Whistler American. The Mast (The Venetian Mast) 372751

Delâtre, Auguste, Laurence, Louis Marie, France, Meryon, Charles, Rue Pirouette aux Halles, Rue Pirouette at the Halle aux Poissons in Paris, verso middle - stamped, Cityscape with the Rue Pirouette at the old fish market of Paris, the Halle aux Poissons. The names of the merchants can be read on the facades, such as the wine merchant, butcher and tobacconist. On the side of the house on the right are various advertisements. At the butcher's the pigs and hams hang outside. On the street walk city dwellers., print, prints, height 156 mm, width 116 mm, height 495 mm, width 316 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1860 - 1860, third quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, 1811 - 1886, intermediary draughtsman, after a drawing by, 1822 - 1907-07-26, printer, drukker

Interior with a young woman at a writing table, Théodore Joseph Cleynhens, 1851 - 1909 print paper etching interior ~ representation of a building. writing-table, writing-desk. adult woman

Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos

Stadsplein with a fountain surrounded by figures; Artis Perspectivae (...). Stadsplein with a three-storey fountain in the middle. The fountain is crowned by a picture of a woman with a tazza and a drinking cup in the hands. Left in the foreground a minne couple. In the background women who were drying. This print is part of an album.

Site of the Antonia Tower James Tissot (French, 1836-1902). , 1886-1887 or 1889. Ink and graphite on paperboard, Image: 9 3/4 x 6 in. (24.8 x 15.2 cm). European Art 1886-1887 or 1889

Six Etchings: Notre Dame, Pontoise, 1895. Paul Gachet (French, 1828-1909). Etching; sheet: 32.4 x 25.2 cm (12 3/4 x 9 15/16 in.); platemark: 21 x 17 cm (8 1/4 x 6 11/16 in.).

Figures on a Bridge, France. Artist: Alfred-Louis Brunet-Debaines (French, Le Havre 1845-1939 Hyères). Dimensions: Sheet: 6 in. × 8 9/16 in. (15.3 × 21.8 cm)Plate: 4 3/8 × 5 1/2 in. (11.1 × 14 cm). Date: 1875. Museum: Metropolitan Museum of Art, New York, USA.

Charlemagne Street in Para U; Pankiewicz, Józef (1866-1940); 1904 (1904-00-00-1904-00-00);France (state), young Poland (style), Paris (France), Wydżga, Bohdan (1858-1933), Wydżga, Bohdan (1858-1933)-dedication for, Wydżga, Bohdan (1858-1933)-collection, dedications, French (culture), Polish graphics, city landscapes, Poland (culture), streets

John Marin, Clochette de Sta. Maria Zobenigo, Venezia, 1907, etching on Japan paper.

Trial proof of Streetcorner Seen from Above (Coin de rue vue d'en haut) from the series Quelques aspects de la vie de ParisStreet. Dimensions: 52.5 cm x 38.2 cm, 36.8 cm x 20.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Nocturne: Palaces. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 295 x 200 mm (image, trimmed within plate mark); 303 x 200 mm (sheet). Etching and drypoint in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

The Great Chimney, the Motor Park. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Amalfi, 1844. Francis Seymour Haden (British, 1818-1910). Etching and drypoint;

Dice Players in a Venetian Square 1712-93 Francesco Guardi Italian. Dice Players in a Venetian Square 338933

The Embroidered Curtain. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 5/16 × 6 1/4 in. (23.7 × 15.9 cm)Sheet: 9 5/16 × 6 1/4 in. (23.7 × 15.9 cm). Date: 1889. Museum: Metropolitan Museum of Art, New York, USA.

Grosse Horloge;Rouen. Artist: Joseph Pennell, American, 1857-1926

Le Tour de l'Horloge, Paris. Artist: L. Artigue (French, active 1915-19). Dimensions: Plate: 9 3/16 × 6 1/2 in. (23.3 × 16.5 cm)Sheet: 17 5/16 × 11 7/8 in. (44 × 30.1 cm). Date: 1919. Museum: Metropolitan Museum of Art, New York, USA.

Design for wallpaper painting, Jurriaan Andriessen, c. 1752 - c. 1819 drawing Design for a wall painting. paper. ink. graphite (mineral) pen / brush

Back of the Gaiety Theatre. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 261 x 232 mm (image); 384 x 250 mm (sheet). Lithograph in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

James McNeill Whistler (American, 1834-1903), Little Court, c. 1880-1881, etching

Félix-Hilaire Buhot, Montmartre le 14 Juillet (Bastille Day in Montmartre), French, 1847-1898, 1892, transfer lithograph with added crayon, ink, scraping, and stumping on the stone in black on heavy wove paper

Church interior of the Frari in Venice. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 17-Aug-1888. Measurements: h 190 mm × w 117 mm. Museum: Rijksmuseum, Amsterdam.

House with a Turret, No 22, rue de l'Ecole de Médecine, Paris (called the Turret of Marat). Charles Meryon; French, 1821-1868. Date: 1861. Dimensions: 209 × 130 mm (image); 211 × 130 mm (plate); 310 × 220 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Auguste Lepère, Gobelins Quarter (Le quartier des Gobelins), 1893 Gobelins Quarter (Le quartier des Gobelins)

James McNeill Whistler (American, 1834 - 1903), Clock-Tower, Amboise, 1888, etching

The Saint-Séverin district, Maubert Place, Mergs dealers (dummy title)

Saint Gervais, Rue des Barres, plate four from the Paris Set Made 1904 Scotland. Etching on ivory laid paper . David Young Cameron

The Lion, Chicago. Joseph Pennell; American, 1857-1926. Date: 1909-1910. Dimensions: 318 x 238 mm (image); 436 x 292 mm (sheet). Drypoint with plate tone on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Sir David Young Cameron, 1865-1945, British, Restaurant Cavalier The Paris Set: No. 5, 1904. Etching on laid paper.

'Rue Galande', 1915. Artist: Charles Jouas.

Temple (The Temple) 1880-81 James McNeill Whistler American. Temple (The Temple). Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1880-81. Etching; only state (Glasgow); printed in brownish-black ink on ivory laid paper. Prints

Boulevard Saint-Germain in Paris. Walking figures and a horse with carriage on Saint-Germain boulevard in Paris. Links restaurant 'au cocher fidèle'.

Quartier des Gobelins, plate 20 from Le Long de la Seine et des Boulevards 1889 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

Drawing, Stage Design, Street with Procession; Designed by Pietro Narducci (Italian, active 1809 - 1841); Italy; pen and sepia ink, brush and wash on blue paper

Boulevard Saint-Germain in Paris, Gerrit Haverkamp, 1901 print Walking figures and a horse with carriage on Boulevard Saint-Germain in Paris. Left restaurant 'au cocher fidèle'. paper etching street. four-wheeled vehicle drawn by one animal. inn, coffee-house, public house, etc. Boulevard Saint-Germain

Little Pond at the Tuileries. Gustave Leheutre; French, 1861-1932. Date: 1901. Dimensions: 122 × 212 mm (image); 159 × 240 mm (plate); 200 × 321 mm (sheet). Etching and drypoint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

St. Dunstan's, Fleet Street. Dated: 1903. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Pissarro, Camille Jacob, Rouen, Le Vieux Rouen, The old Rouen, verso center - stamped, A narrow street in the old city center of Rouen., print, prints, 1er etat no 1, recto bottom left - pencil, height 225 mm, width 145 mm, height 272 mm, width 205 mm, French, 1830-07-10 - 1903-11-12, print maker, printmaker, 1896 - 1896, fourth quarter 19th century, paper, etching, aquatint, drypoint, Work conception, after own design of, Frans, printer

Max Klinger, Märztage II (March Days II), 1883 Märztage II (March Days II)

National Holiday on the Boulevard Clichy. Félix Hilaire Buhot; French, 1847-1898. Date: 1878. Dimensions: 232 × 142 mm (image); 315 × 235 mm (plate); 356 × 256 mm (sheet). Etching and aquatint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rose with craftsmen and children, Henri de Braekeleer (attributed to), 1850 - 1870 print paper etching street. toddler. adult woman Antwerp

Print (France)

Turkeys, 1880. James McNeill Whistler (American, 1834-1903). Etching;

Weissenbruch, Jan, Netherlands, Isaac, Two men on a bench in front of a house, verso bottom center - stamped, print, prints, height 129 mm, width 108 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure, Work conception, 1822-03-18 - 1880-02-15

James McNeill Whistler, The Bridge, 1879 1880 The Bridge

Portal of the Ducal Palace, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1899. Dimensions: 201 x 105 mm (image/plate); 233 x 130 mm (sheet). Etching in black on ivory chine, laid down on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

William Mulready, 1786-1863, Irish, Figures in a Doorway, undated. Pen, in brown ink and brown wash on thick, moderately textured, beige, wove paper, mounted on, thick, slightly textured, cream, wove paper.

The New Stock Exchange Joseph Pennell (American, 1860-1926). , 1921. Etching, plate: 6 15/16 x 10 3/16 in. (17.7 x 25.8 cm). American Art 1921

Ca D'Oro, Sir David Young Cameron, 1865-1945, British, 1900, Etching on laid paper, Plate: 10 15/16 x 7 15/16in. (27.8 x 20.2cm) and Sheet: 13 3/4 x 9 1/8in. (34.9 x 23.2cm)

Fireworks in a Piazza ca. 1618-23 Guercino (Giovanni Francesco Barbieri) Italian Mahon (1968, no. 191, p.187) tentatively dated the Museum's drawing to the first phase of Guercinos career, prior to his Roman sojourn of 1621-23. Mahon noted a similarity between the genre subject matter of the drawing and that of scenes painted by Guercino and assistants in the Casa Pannini, Cento (1617). Mahon suggests the possibility of the architecture reflecting the travels of Guercino's Venetian sojourn of 1618. William Griswold (1991) followed Mahon's dating to the pre-Roman period, noting similar realistic-looking, but fictitious architecture in the background of paintings such as the Manning Collection Tobias and the Angel (c. 1617). Supporting the dating in the pre-Roman period is also the related drawing of a piazza bonfire showing a similar conical straw construction attributed to the Circle of Guercino (Chatsworth, Devonshire Collection, inv. no. 548: see Jaffe 1994, cat. no. 568).The subjec

Halls Georg Emanuel Opitz says OPIZ (1775-1841). "Halls". Paris (IER ARR.). Engraving (black and white trait). 1813.

Study for Vignette-Frontispiece in Poncelet's "Principes Generaux Pour Servir à l'Education des Enfants Paris", vol. I. Hubert François Gravelot; French, 1699-1773. Date: 1753-1773. Dimensions: 135 × 66 mm. Pen and black ink over black chalk, on gray laid paper, laid down on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Incident with the hunter of the French ambassador, 1788, Reinier Vinkeles (I), After Jacobus Buys, 1788 - 1795 print Incident with the hunter of the French ambassador De Graaf de St. Priest, July 6, 1788. The hunter caused a rise on the Turfmarkt because he went on the street without an orange color, two children were injured in the tumult. Northern Netherlands paper etching / engraving street-fights, riots Turf market

Street Scene with Figures. John Marin; American, 1870-1953. Date: 1895-1900. Dimensions: 305 x 155 mm. Graphite on brown wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Kostverloren Castle in Decay 1647-1657 Holland. Rembrandt and his contemporaries shared a fascination with the Kostverloren estate, in part because of the successive misfortunes that its owners seemed to endure. Already by Rembrandtís time it had taken on its name, which translates as ìlost expensesî or, more colloquially, ìmoney pit.î The site faced another setback when much of the castle was destroyed in a fire. After this damageóand before its eventual repairóRembrandt entered the grounds of the castle and recorded its diminished state. His emphasis on decay is made clear by the felled tree in foreground; its strident horizontality sets off the faded majesty of the castleís once-grand structures.. Pen and brown ink, with brush and brown wash, heightened with touches of opaque white watercolor, on cream laid paper . Rembrandt van Rijn

The Feast of the Constitution of the Constitution on May 19, 1798. Draughtsman: Jurriaan Andriessen. Dating: 19-May-1798. Place: Amsterdam. Measurements: h 134 mm × w 203 mm. Museum: Rijksmuseum, Amsterdam.

Oud Gezigt from the place over the pond, Vijverberg and 's-Gravenhof, Anonymous, After Gerrit van Giessen, 1952 print Colored print on brown discolored paper from square with people in front of buildings, a park, pond and again buildings with strings. Set up in paper, framed in wood behind glass. Back: 'Offered on 24 June 1955 to Dr. W. Drees, Prime Minister by the officials of the Department of General Affairs on the occasion of his second anniversary as a minister. print maker: Netherlandsafter drawing by: Netherlandspublisher: Delft paper printing public road (+ city(-scape) with figures, staffage) The Hague. Vijverberg. Hofvijver. Buitenhof

Lepère, Auguste (n.1849-11-30-D.1918-11-20), Restoration of Pont Neuf (dummy title). Pencil. Carnavalet museum, history of Paris.

Notre Dame Du Ru Place Manbert Charvot, Eugene(1847-1924 French) Watercolor Cummer Museum of Art & Gardens, Jacksonville, FL

Venice, The Horses of St. Mark's (Fourth Version). Artist: Walter Richard Sickert (British, Munich 1860-1942 Bathampton, Somerset). Dimensions: plate: 7 7/16 x 4 15/16 in. (18.9 x 12.5 cm)sheet: 10 7/8 x 7 1/2 in. (27.6 x 19.1 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.

James McNeill Whistler, The Piazzetta, 1880 The Piazzetta

A landscape drawing by Bartholomeus Breenbergh from 1641 depicting the Roman Campagna with ruins of the Maxentius Circus, using brown ink and brush on green-yellow paper.

View from the tower of St. Marys Church of Sukiennice Market Hall and Town Hall tower. Wyczółkowski, Leon (1852-1936), painter

The Street Lamp, 1887. James Ensor (Belgian, 1860-1949). Etching;

Lofthen guide the corpse of Anna van Hannover in the field in Delft, 1759; Slates of Princess Anna van Hanover in Delft. Lofders guide the corpse of Hannover Anna that is being carried out by horses on a carriage in the field. Some figures in the procession are numbered and described in more detail below the performance.

Lower Part of the Choir, Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838-1909, Graphite and watercolor on paper, The lower part of the choir of the Siena Cathedral. A few priests are shown., Siena, Italy, ca. 1872, architecture, interiors, Drawing, Drawing

London Flats No 2, c. 1930. Cyril E. Power (British, 1872-1951). Color monotype; sheet: 38.3 x 28.1 cm (15 1/16 x 11 1/16 in.); platemark: 27.7 x 20.1 cm (10 7/8 x 7 15/16 in.).

Riders under a gate, Marius Bauer, 1898 print paper etching riding a horse, ass, or mule; rider, horseman. arch, archivolt ~ architecture

John Marin, St. Ouen, Rouen, 1909, etching on wove paper.

Johan van Oldenbarnevelt, 1619, 1619 - 1621 print Oldenbarnevelt kneels on the scaffold in front of the Binnenhof, a large number of spectators on the scaffold on the scaffold on 13 May 1619. With caption of 6 lines in Latin and 12 lines in German. At the bottom right with pen numbered: 394. The print is part of an album. Cologne paper etching violent death by beheading. on the scaffold or place of execution Courtyard

Street at Saverne James Abbott McNeill Whistler (American, 1834-1903). , 1858. Etching, Image: 8 1/8 x 6 1/4 in. (20.6 x 15.9 cm). American Art 1858

Walking figures and a horse with carriage on Boulevard Saint-Germain in Paris. Left restaurant 'Au cocher fidele', Boulevard Saint-Germain in Paris, print maker: Gerrit Haverkamp, (mentioned on object), 1901, paper, etching, h 173 mm × w 186 mm

Figures on the street, possibly in Paris, 1887 - 1934 Page 31 and Page 32 from sketchbook XXXIX with 51 pages. Paris paper. chalk street (+ city(-scape) with figures, staffage) Paris

Etching by Matthäus Merian the Elder from 1616 showing fireworks during the baptism of Duke Friedrich of Württemberg-Neuenstadt, with crowds, buildings, and celebrations.

Print made by Samuel William Reynolds, 1773-1835, British, Conduit at Liege, undated. Mezzotint on thick, rough, cream, laid paper.

Landscape with Ruins, with aFisherman. Artist: Thomas Wijck, Dutch, 1616-1677

Anonymous, B. of Venice. / L 'Eclair February 8, 1912. (Registered title (Letter)), 1912-02-08. Photomécanic process. Carnavalet museum, history of Paris.

Winter Morning on the Quai de l'Hôtel Dieu 1876 Félix-Hilaire Buhot French. Winter Morning on the Quai de l'Hôtel Dieu. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1876. Etching, drypoint, and aquatint; third state of four. Prints

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