Urban Etchings and Landscapes

Etchings depicting urban street scenes, capturing the essence of city life through architectural details and atmospheric perspectives.

James McNeill Whistler (American, 1834-1903), The Garden Porch, 1894, lithograph

Streetcorner Seen from Above (Coin de rue vue d'en haut). Dimensions: 53 cm x 40.8 cm, 36.8 cm x 21 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Cypresses near Siena. Jabłczyński, Feliks (1865-1928), graphic artist

The Urns, Casting Big Shells. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

The Laundress: "La Blanchisseuse de la Place Dauphine". Dated: 1894. Dimensions: image: 23 × 15.7 cm (9 1/16 × 6 3/16 in.) sheet: 31.1 × 20 cm (12 1/4 × 7 7/8 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Etchings of Paris: The Mortuary, 1854. Charles Meryon (French, 1821-1868). Etching;

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Raffaëlli, Jean François (1850 1924)

Pablo Picasso / "A los Toros", 1957, Engraving (aquatint to sugar, on copper matrix, on filigree paper), 19.9 x 29.5 cm, MPB112769. Museum: Museu Picasso de Barcelona, Barcelona, España.

Une matinée dhiver au Quai de lHôtel-Dieu (A Winter Morning at the Hotel-Dieu Cabstand). Artist: Félix Hilaire Buhot, French, 1847-1898

Looting of the Pintohuis during the speaker riot in Amsterdam, 1696, Simon Fokke, 1779 - 1781 drawing Looting by a furious crowd of the Pintohuis (from the Jew Ishac de Pinto) in Sint Antoniesbreestraat during the speaker riot in Amsterdam, January 31 ,-1 February 1696. Design for a print. Northern Netherlands paper. ink. pencil pen / brush outbreaks of violence ~ anti-semitism. plundering ~ riot Sint Antoniesbreestraat

Binnenplace with two women in Boppard in Germany, Isaac Weissenbruch, 1836 - 1912 drawing Boppard paper. ink pen / brush faí§ade of inner court Boppard

Julian Walbridge Rix, Elms on the Battery, 1885, wood engraving on paper.

Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled Boulevard in Clichy. Completed in 1887.

Perugia. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1905. Dimensions: 138 x 213 mm (image/plate); 214 x 259 mm (sheet). Etching in sepia on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

La Rue des Barres, 1886. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

The Long Gallery, Louvre. James McNeill Whistler; American, 1834-1903. Date: 1894. Dimensions: 216 x 159 mm (image); 298 x 206 mm (sheet). Transfer lithograph in black with stumping, on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

La Porte Du Roi, Normandy, France, circa 1905

Joseph Pennell, Rainy Night, Charing Cross Shops, 1903 Rainy Night, Charing Cross Shops

Francesco Colombi Borde, Il Duello (The Duel), 1880 Il Duello (The Duel)

William Walcot, 1874-1943, British, Villa Quintillii, 1921. Etching, drypoint, aquatint on wove paper.

The terrible rush of metropolitan life : Those busy New-Yorkers. Cady, Harrison, 1877-1970. Cartoons (Commentary), Illustrations. 1915-06-24. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. City & town life , New York (State) , New York , 1910-1919, Crowds , New York (State) , New York , 1910-1919, Hurrying , New York (State) , New York , 1910-1919

Lithograph by Robert Delaunay depicting the Eiffel Tower, created in 1919 using chalk.

The Adoration of the Child, engraving by Albrecht Durer (1471-1528).

Place, plate one from A Glove Made 1881 Germany. Ivory chine collÈ on off-white wove paper . Max Klinger

Square Am Hof, Gerlach , Wiedling Buch- und Kunstverlag, Producer, after, Rudolf Pichler -, drawer

Robert Amerling, Residential and death , After, Ludwig Hofbauer -, Drawer, Jacques Philipp, Producer

Januari; De twaalf maanden.From a series of twelve prints, the imagination of the month of January. Two figures go along the doors during the celebration of three-kings, in the background skating figures on a canal.

Dans le hall., 1916, France, by Théophile Steinlen.

St. Etienne du Mont and the Pantheon, Paris. Thomas Shotter Boys (English, 1803-1874); published by Charles Joseph Hullmandel (English, 1789-1850). Date: 1839. Dimensions: 411 × 292 mm. Color lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

St. Cross (Krakow) Kowalski, Leon (1870 1937)

Procession in front of the Louvre

Headquarteres of the Société des Aquafortistes, 1864. Adolphe Théodore Jules Martial Potémont (French, 1828-1883). Etching; sheet: 34.8 x 54.9 cm (13 11/16 x 21 5/8 in.); platemark: 28.5 x 38.9 cm (11 1/4 x 15 5/16 in.).

A narrow street with two children and a female figure in the foreground Further along, a woman hangs laundry on a line to dry, View of a Street, print maker: Johannes Philippus Lange, (mentioned on object), after: Johannes Bosboom, (mentioned on object), publisher: Arie Cornelis Kruseman, (mentioned on object), 1850, paper, steel engraving, h 160 mm × w 94 mm

Maxime Lalanne, Demolitions pour le percement du Blvd. St. Germain (vieux-Paris), 1863-64, etching on chine collé.

Roman Ruins Jan Baptist Weenix the Elder (1621-1660). , 17th century. Wash in sepia on paper, sheet: 10 3/4 x 9 1/16 in. (27.3 x 23 cm). European Art 17th century

Quartier des Gobelins, 1889. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Obelisco Egizio, 1759, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720-1778, 21 3/8 x 15 7/8 in. (54.29 x 40.32 cm) (plate), Etching, Italy, 18th century

Eugène Béjot colored print depicting 'Between Stone Act' with a bicycle, created in 1898, showing urban landscape and figures.

AvenueClichy. Artist: Auguste Brouet, French, 1872-1941

Print made by Axel Herman Haig, 1835-1921, British, An Old Hanse Town, undated. Drypoint and etching on thick, smooth, beige wove paper.

The Sign of White Horse, Parson's Green Made 1906 England. Etching in black on ivory Japanese paper . Theodore Roussel

Temple Bar from The Strand, plate 22 from Original Views of London as It Is. Thomas Shotter Boys (English, 1803-1874); designed by Charles Ollier (English, 1788-1859). Date: 1842. Dimensions: 425 × 315 mm. Hand-colored lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Scene in a modern brewery Date: circa 1900

Mouren, Henri Laurent (n.1844 - D.1926), square Raspail 1891. (Title given by the author), 1891. Musée Carnavalet, Histoire de Paris.

View from the Louvre, 1882. Maxime Lalanne (French, 1827-1886). Etching; sheet: 24.7 x 35.4 cm (9 3/4 x 13 15/16 in.); platemark: 18.5 x 28.7 cm (7 5/16 x 11 5/16 in.).

Joseph Pennell, The Pavement, St. Paul's, 1910, etching on wove paper.

Shoeshining. Katz, Hyman William (1899-1988). 1936. Prints. Schomburg Center for Research in Black Culture, Art and Artifacts Division. African Americans, Shoes, Shoe shiners, Streets, Tower clocks

Joy about taking names, September 28, 1695, Simon Fokke, c. 1722 - c. 1784 drawing Design for a print. paper. ink. pencil pen / brush festivities on events of national importance. other decorative structures (~ triumphal entry, etc.). decoration and illumination of streets, squares, etc. (~ triumphal entry, etc.). capture of city (after the siege). historical events and situations Names (city)

Inauguration of the new statue of Henri IV on the bridge-nine

Print made by Robert Bryden, 1865-1939, British, Auld Brig, Ayr, 1904. Etching and drypoint on moderately thick, slightly textured, cream laid paper.

John Marin, Santa Maria della Salute, Venice, 1907, etching on paper.

The Canal of the Little Saint, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 202 x 288 mm (image); 207 x 292 mm (plate); 210 x 294 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Illustration by Gustave Dore for 'Le Capitaine Fracasse' by Pierre Théophile Gautier (1811 - 1872)French, Writer, poet, painter, art critic. Gautier was a defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. Captain Fracasse (Le Capitaine Fracasse) is an 1863 novel by the French writer Théophile Gautier. It is an adventure novel set in the seventeenth century.

Rue du Mont Cenis. Dimensions: 30.4 cm x 22.1 cm, 13.3 cm x 8.5 cm, 12.9 cm x 8.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: Eugène Deltre.

Old Paris The Seine under the new bridge, 1917 Henri Chapelle (1850-1925), French draftsman. Old Paris. The Seine under the new bridge. Feather, ink of China. Peers (IER ARR.), 1917.

Street market in town - sketch for a painting. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Hyde Park Corner, plate fifteen from Original Views of London as It Is. Thomas Shotter Boys (English, 1803-1874); designed by Charles Ollier (English, 1788-1859). Date: 1842. Dimensions: 304 × 427 mm. Hand-colored lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A promotional postcard for Warsaw, Poland Date: circa 1920

Saint Paul's Pavement. Joseph Pennell; American, 1857-1926. Date: 1905. Dimensions: 217 x 280 mm (image); 236 x 333 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Provincial City (Kleinstadt of Sonnenaufgang in der Kleinstadt). Lyonel Feininger; American, 1871-1956. Date: 1911. Dimensions: 160 x 240 mm (image); 415 x 340 mm (sheet). Etching on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Dunkerque. Dated: early 1920s. Dimensions: image: 41.28 x 27.31 cm (16 1/4 x 10 3/4 in.) sheet: 44.45 x 30.48 cm (17 1/2 x 12 in.). Medium: watercolor, black chalk and graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Frank Myers Boggs.

Basle, plate 5 from Liber Studiorum Published 1807 England. Etching and engraving in brown on ivory laid paper . Joseph Mallord William Turner

A Renaissance Portico with Elegant Figures ca. 1615 Hendrick van Steenwijck II Flemish In subject and style, small cabinet pictures of this kind were collected by aristocratic connoisseurs. From about 1615, when this copper panel was painted, to the late 1630s Van Steenwyck worked for Charles I and his circle in London.. A Renaissance Portico with Elegant Figures 437750

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints, undated. Graphite and watercolor on slightly textured, moderately thick, cream wove paper.

Design for a print, Paushuize in Utrecht and sketches of standing woman and landscape, draughtsman: Frederik Hendrik Weissenbruch, 1838 - 1887, tracing paper, pen, h 192 mm × w 262 mm

Churchyard. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 8 1/4 × 6 13/16 in. (21 × 17.3 cm)Sheet: 15 1/8 × 11 7/16 in. (38.4 × 29 cm). Date: 1887. Museum: Metropolitan Museum of Art, New York, USA.

From Inn at Chichester, July 1828, Anne Rushout, ca. 1768-1849, British, 1828, Watercolor on moderately thick, slightly textured, cream wove paper

Paris, Delâtre, Auguste, Whistler, James Abbott McNeill, Twelve etchings from nature, Street at Saverne, Street in Saverne, recto bottom right - pencil, A street in Saverne with a row of houses, on which a large shadow falls., print, prints, fine impression, height 208 mm, width 158 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1858 - 1858, third quarter 19th century, paper, etching, etchings, Work conception, after own design by, French, 1822 - 1907-07-26, printer

Le Boulevard Montmartre, le Soir, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Félix Hilaire Buhot, L'Angélus, c 1876 L'Angélus

Historia de Argentina. Siglo XIX. Reunión del cabildo para formar nueva junta el 25 mayo 1810. Author: FORTUNY FRANCISCO.

Illustration by Simons from 'Quand les sirenes' (1933)' by Maxence Van der Meersch; French Flemish writer, (1907 - 1951). Quand les sirenes se taisent (When the Looms Are Silent).

PRACTICE OF COLORS ON WORK IN A STEAM, Léon Brunin, 1884 print paper etching colours, pigments, and paints

Mayeur, Arthur Jules (n.1871-05-06-D.1934-04-22), Belfry de Bailleul (main title), 1906. Eau-travete and aquatinte and dry tip on Japan peel mounted on woven paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Two different performances, Nicolaas Cornel, 1783 - 1800 print Leaf with 2 shows. Above: two men with horse and carriage who come to pick up the ashes from the people, caught in a decorative frame. Below: a peleton of the civilian guard marching on the street. Verse lines under any performance. Rotterdam paper letterpress printing ash. the soldier; the soldier's life

Orleans, Thomas Higham, 1796-1844, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof (earlier)

Ommegang the giant and the giantess, anonymous, c. 1899 photograph Antwerp photographic support printing festivities (+ decorated float, wagon ~ festive activities). civic architecture; edifices; dwellings. animal traction, animal-drawn vehicle (carriage etc.) Antwerp

Unrealized project Il. to "kol in a giant of the city" in "pastor"; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);Christmas (iconogr.), Czyżewski, Tytus (1880-1945). Pastorals, angels, city, landscapes, purchase (provenance), animals

Jules Adeline (1845-1909). "Letrine" J "for the chapter" Han of Iceland ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102268-6 Defensive construction, drawing, ink, medieval time, illustration of literary work, lettrine, rock, tower, 19th 19th 19th 19th 19th 19th century

An engraving depicting the Victoria Embankment, London, lit by gas. Dated 19th century

Voyage en Italie en 1822, 1833. Jean-Baptiste Isabey (French, 1767-1855). Lithograph;

DA-SC-85-00938. Country: Unknown

East Broadway Abbo Ostrowsky (American, 1899-1975). East Broadway, ca. 1910-1920. Etching on cream wove paper, Plate: 10 7/8 x 8 1/8 in. (27.6 x 20.6 cm). American Art ca. 1910-1920

Léon Leymonnere (1803-1879). "Back to Paris of the Army of Italy on August 14, 1859: Decoration of Place Vendôme", 1859. Watercolor. Paris, Carnavalet museum. Army Italy, column, decoration, drawing, 1st 1 arrondissement, place Vendome, returned, Second Empire

Greetings from the Franziskanerkeller Leistbräu Vienna, After, Erwin Pendl -, Drawer, Unknown,

'The Opera', 1915. Artist: John Marin.

Torzhestvennoe otkrytie pamiatnika Imperatoru Nikolaiu I. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Merry Christmas (Yuletide Revels) William Glackens (American, 1870-1938). Merry Christmas (Yuletide Revels), ca. 1910. Graphite, Conté crayon, ink, and transparent and opaque watercolor on laminated board adhered to wood pulp board, Sheet: 24 3/8 x 18 1/2 in. (61.9 x 47 cm). Full of humorous vignettes, this work presents William Glackens at the height of his powers as a draftsman and storyteller. In a large room decorated for Christmas, throngs of children play with their new toysoften with painful consequenceswhile a few adults make futile attempts to control the chaos. Glackens’s figure style is slightly cartoonish but incorporates descriptive details that endow each child with a distinct personality. Reproduced in Collier’s Weekly, one of the nation’s most popular magazines of the period, this image comments ironically on the innocence of children and the joys of the holiday season. American Art ca. 1910

ILUST ESP/AMER-1894-MONUMENTO A LOS FUEROS VASCONGADOS-GRABADO.

The Pantiles, 1840-60. Panel - inlaid Tunbridgeware Picture and Frame.. Both the frame and the picture of The Pantiles, Tunbridge Wells, have been made in end grain mosaic. It was made by James Brown whilst an apprentice in the Hollamby workshop around 1850... Purchased from Edward H Pinto, 1965.

Fragment of the Saxon Garden; Stankiewicz, Zofia (1862-1955); before 1913 (1910-00-00-1913-00-00);Young Poland (Styl), Garden Saski (Warsaw), Partage Plus, Saski Palace (Warsaw), Warsaw (Masovian Voivodeship), Polish graphics, women, Poland (culture), symbolism (style), winter

Chteau de Meanieres Made 1905 England. Etching in black ink on cream laid paper . Charles John Watson

Detail des Schlosses von Meissen im Winter, Sachsen, Deutschland, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahr...

The Stara Louka (Alte Wiese) in Carlsbad, Czech Republic, painting by Franz Skarbina (1849-1910), woodcut by Richard Bong (1853-1935) from Moderne Kunst (Modern Art), illustrated magazine published by Richard Bong, 1892-1893, Year VII, No 15, Berlin.

Stained window with the text W.F.Dixon Pinxit London 1884; Front hall. The panel with the text "W.F.Dixon Pinxit London 1884" ("by W.F. Dixon painted in London in 1884") is part of a panel on which Rembrandt is depicted. In turn, that is part of a window that portrays painters and professions. It is applied to the front hall. P.J.H. In 1882 Cuypers wrote a competition for designing stained glass windows for the front hall of the Rijksmuseum. He invited six artists to participate and send a test window with Apelles. Five of them gave it to this: W.F. Dixon, H.J.J. Geuer, F. Nicolas and the Tyrolean glass malerei und Cathedralenglashuette. Dixon finally got the assignment and his window was placed. The four other test windows are kept in the Rijksmuseum.

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