Urban Life and Street Scenes

Etchings capturing bustling street life in late 19th-century cities, featuring marketplaces and personal interactions, rendered in soft tones.

James McNeill Whistler (American, 1834-1903), T.A. Nash's Fruit-Shop, c. 1886, etching

Cutler Street, Houndsditch 1886-88 James McNeill Whistler American. Cutler Street, Houndsditch 372614

Bank Holiday, Corner of Beaufort Street, Chelsea. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Plate: 2 15/16 x 2 3/4 in. (7.5 x 7 cm). Date: 1888-89. Museum: Metropolitan Museum of Art, New York, USA.

James McNeill Whistler (American, 1834-1903), T.A. Nash's Fruit-Shop, c. 1886, etching

Second Street Market, Philadelphia , Markets, City & town life. Joseph Pennell (1857-1926). Prints and Drawings

La frutière de la Rue de Grenelle, 1874. James McNeill Whistler (American, 1834-1903). Lithograph;

Chelsea Palaces (Black and White Version). Theodore Roussel; French, worked in England, 1847-1926. Date: 1888-1889. Dimensions: 56 × 12 mm (image); 79 × 120 mm (plate); 90 × 132 mm (sheet). Etching in black on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Clothes Exchange, No.II, c. 1886/1888, etching and drypoint on laid paper, overall (trimmed to plate): 22.7 × 15.2 cm (8 15/16 × 6 in.), MacDonald 2012, no. 359, state ii/iii, James McNeill Whistler (artist) American, 1834 - 1903

The Little Mast Made 1879-1880 United States. Etching and drypoint with foul biting in brown ink on ivory laid paper . James McNeill Whistler

The Butcher's Dog, 1896. James McNeill Whistler (American, 1834-1903). Lithograph;

Image of a city street with people milling about , Commercial streets, City & town life. James McNeill Whistler (1834-1903). Lithographs

Fitzroy Square 1878-1881 United States. Etching in black on ivory laid paper . James McNeill Whistler

Drury Lane 1880-1881 United States. Etching with foul biting in black on cream laid paper . James McNeill Whistler

Study for King's Bench Prison, from Microcosm of London 1807-1808 England. Graphite on cream wove paper . Augustus Charles Pugin

Culemborg, Weissenbruch, Jan, Muur te Culemborg, verso - stamped, A man and a woman stand by a wall, possibly a city wall, with battlement-like details and a wooden cabinet., print, prent, prints, height 80 mm, width 47 mm, Nederlands, 1822-03-18 - 1880-02-15, print maker, prentmaker, 1837 - 1880, paper, papier, chine collé, etching, etsen

TheMill. Artist: Rodolphe Bresdin, French, 1822-1885

La Fruitière de la rue de Grenelle. Dated: 1894. Dimensions: image: 23 × 15.6 cm (9 1/16 × 6 1/8 in.) sheet: 33.5 × 21.3 cm (13 3/16 × 8 3/8 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Unexpected visitors. An unexpected guest is at the carriage with which he has arrived. The host and his wife are in the gate and welcome him. Bottom left in the margin The twig of a thistle.

Impasse Beaugourg

National Holiday on the Boulevard Clichy Made 1878 France. Etching and aquatint on ivory laid paper . Félix Hilaire Buhot

The Riva 1879-1880 United States. Etching and drypoint with foul biting in brown ink on ivory laid paper . James McNeill Whistler

The riva, no. 2. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Outside Walls, Porte de Versailles Made 1898 France. Etching on cream laid Japanese paper . Louis Auguste Lepère

Giovanni Battista Piranesi, Arco di Tito, 1748 Arco di Tito

Félix Hilaire Buhot, La Fête nationale au Boulevard Clichy (National Holiday on the Boulevard de Clichy), 1878 La Fête nationale au Boulevard Clichy (National Holiday on the Boulevard de Clichy)

Field of Waterloo, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving, engraver's proof

James McNeill Whistler, Justice Walk Chelsea, c 1886 1888 Justice Walk - Chelsea

Sir David Young Cameron, 1865-1945, British, Amboise, 1903. Etching on laid paper.

The Market Place, Vitre, 1893. James McNeill Whistler (American, 1834-1903). Lithograph;

A Street Scene. Date: 1858. Origin: United States. Pencil on off-white wove paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Possible depicted Tivoli in Italy, View of the Large Waterfall at Tivoli, draughtsman: Jan Worst, draughtsman: Jan Asselijn, (rejected attribution), Tivoli, c. 1647 - c. 1655, paper, brush, h 374 mm × w 534 mm

James McNeill Whistler (American, 1834 - 1903), Cutler Street, Hounsditch, 1887, etching

The Clock Tower - Amboise. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 175 x 125 mm (image, trimmed within plate mark); 179 x 125 mm (sheet). Etching and drypoint with foul biting on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Wych Street. Dated: 1877. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Brasserie de l'Univers , Restaurants, City & town life, Sitting. Joseph Pennell (1857-1926). Prints and Drawings

New Oxford Street, London. Dated: 1893. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

'Kite-Flyers, Montmartre', 1915. Artist: Vaughan Trowbridge.

Chelsea Rags. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 7 1/16 × 6 1/4 in. (18 × 15.9 cm)Sheet: 12 3/4 x 8 1/16in. (32.4 x 20.5cm). Date: 1888. Museum: Metropolitan Museum of Art, New York, USA.

Cityscape with a wet street, Félix Hilaire Buhot, c. 1872 print paper etching / drypoint rain. umbrella. city-view, and landscape with man-made constructions Valognes

James McNeill Whistler, Vitré The Canal, 1893 Vitré: The Canal

The Statue, New York Bay , Monuments & memorials, Harbors, Cities & towns, Statue of Liberty National Monument Agency : U.S.. Joseph Pennell (1857-1926). Prints and Drawings

The Riva. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1879/1880. Prints; etchings. Etching and drypoint

Lepère, Auguste (n.1849-11-30-D.1918-11-20), view of Saint-Julien-le-Pauvre (dummy title). Pencil. Carnavalet museum, history of Paris.

Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: street scene/ people at outdoor table (insert after p. 24) DUPLICATE, 1937. Auguste Brouet (French, 1872-1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.).

Cour de Commerce, Paris. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1900. Dimensions: 212 x 155 mm (image); 216 x 155 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Nocturne: Palaces, 1886. James McNeill Whistler (American, 1834-1903). Etching and drypoint;

Le Pont Saint-Michel, plate twelve from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

The Weerdpoort outside Utrecht, draughtsman: Jacob van Liender, 1749, paper, pen, h 180 mm × w 300 mm

Church interior with three figures, print maker: Johannes Bosboom, (mentioned on object), Johannes Bosboom, (possibly), The Hague, c. 1830 - in or before 1891, paper, etching, h 82 mm × w 63 mm

Auguste Lepère, Saint Servan, 1917 Saint Servan

Drawing by Ferdinand Boberg. Västmanland, Snevringe hd., Ramnäs sn., Ramnäs Nordic

Drury Lane. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1880 - 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Statue, New York Bay , Monuments & memorials, Harbors, Cities & towns, Statue of Liberty National Monument Agency : U.S.. Joseph Pennell (1857-1926). Prints and Drawings

Eine Mutter II, Bl. 4, op. IX; Felsing, Kupferdruckerei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965), Klinger, Max (1857-1920); 1883 (1883-00-00-1883-00-00);

Drawing by Ferdinand Boberg. Uppland, Vallentuna hd., Hammarby sn., Torsåker Nordic

Gatti's. James McNeill Whistler; American, 1834-1903. Date: 1890. Dimensions: 173 x 133 mm (image); 318 x 200 mm (sheet). Transfer lithograph in black on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Sir David Young Cameron, 1865-1945, British, Chinon, 1902. Etching with drypoint on laid paper.

Mazzi, Vincenzo, Italy, Caprici di Scene Teatrali, Courtyard with wooden gate, verso center bottom - stamped, Fantasy architecture consisting of a courtyard with a wooden gate in the middle giving access to a room with a wooden ceiling. Print from a series of twelve with examples for theatre decors., print, prints, verso bottom center - stamped, height 275 mm, width 219 mm, Italian, 1748 - 1790, print maker, printmaker, 1771 - 1781, fourth quarter 18th century, paper, etching, etchings, Work conception, after own design by

The Fair James Abbott McNeill Whistler (American, 1834-1903). The Fair, 1895. Lithograph, 12 3/4 x 8 1/8 in. (32.4 x 20.6 cm). American Art 1895

Savoy Pigeons, James Abbott McNeill Whistler, 1896 print View of the River Theems towards Westminster from a balcony of the Savoy Hotel. London paper bridge in city across river, canal, etc. London. Thames

1893 Art Work - The Palace; Stirling Castle - David Young Cameron.

Notre-Dame Vue du Quai de Montebello, 1901 (dummy title)

Title Page from Imaginary Prisons 1761 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

The Steps, Luxembourg. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1893. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape of Italy Albert Besnard (1849-1934). Landscape of Italy. Black Stone, white chalk on bluish paper glued on mounting board.

Gate of the Zocodovar, Toledo 1904 United States. Etching on ivory wove paper . Joseph Pennell

World Exhibition. Caverie. Seine arm at the new bridge. 1889 (dummy title)

National Holiday 1873-1883 France. Etching on ivory laid paper . Félix Hilaire Buhot

Le tombereau , Carts & wagons, City & town life, Night. Théophile Alexandre Steinlen (1859-1923). Lithographs

WhitePalace. Artist: Donald Shaw MaClaughlin, American, born Canada, 1876-1938

Maple Street. Artist: Walter Richard Sickert (British, Munich 1860-1942 Bathampton, Somerset). Dimensions: plate: 7 13/16 x 5 1/16 in. (19.9 x 12.8 cm)sheet: 11 1/4 x 8 7/16 in. (28.5 x 21.5 cm). Date: ca. 1923. Museum: Metropolitan Museum of Art, New York, USA.

James McNeill Whistler, Maunder's Fish Shop, Chelsea, 1890 Maunder's Fish Shop, Chelsea

Bullfight 19th century Eugenio Lucas y Padilla Spanish. Bullfight. Eugenio Lucas y Padilla (Spanish, 1824-1870). Spanish. 19th century. Brush and black ink with wash. Drawings

The Riva. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 202 x 299 mm (image, trimmed within plate mark); 207 x 299 mm (sheet). Etching and drypoint with foul biting in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Winter Morning on the Quays 1860-98 Félix-Hilaire Buhot French. Winter Morning on the Quays. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1860-98. Etching, roulette, aquatint, drypoint, and sandpaper ground; sixth of seven states. Prints

Joseph Pennell, From the Tops of the Furnaces, 1916 From the Tops of the Furnaces

Chelsea Shops. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 3 3/4 × 7 11/16 in. (9.5 × 19.5 cm)Sheet: 8 7/8 in. × 11 in. (22.6 × 28 cm). Date: 1888. Museum: Metropolitan Museum of Art, New York, USA.

High Street, Brussels. James McNeill Whistler; American, 1834-1903. Date: 1886-1887. Dimensions: 126 x 176 mm (image, trimmed within plate mark); 128 x 176 mm (sheet). Etching with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The punt. Whistler, James McNeill (1834-1903). 1861. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A pencil and chalk drawing by August Xaver Karl von Pettenkofen depicting a goal path, focusing on terrain and pathway layout.

Sitting figure on a staircase for a house. Also a study of a leg. Leaf 25 Recto from a sketchbook with 73 sheets.

Landscape. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: THEO VON BROCKHUSEN.

The Smith's Yard Made 1895 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

James McNeill Whistler, Black Lion Wharf, 1859 Black Lion Wharf

Oboźna Street. Chart VII from the portfolio Warsaw. XX self-lithographs". Wilder, Hieronim (1874-1941), merchant employer, Jabłczyński, Feliks (1865-1928), graphic artist

Trial proof of Streetcorner Seen from Above (Coin de rue vue d'en haut) from the series Quelques aspects de la vie de Paris. Dimensions: 42.5 cm x 24.6 cm, 39 cm x 22.8 cm, 37 cm x 21.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

François Nicolas figure (1825-1901). "The Coutanchez alley". Albumin paper. 1868. Paris, house of Victor Hugo.

De Wolvenstraat. Draughtsman: George Hendrik Breitner. Dating: 1867 - 1923. Measurements: h 203 mm × w 133 mm. Museum: Rijksmuseum, Amsterdam.

Reproduction of drawing: Władysław Podkowiński (1866-1895), Pożar Nasielska Fire of Nasielsk; from: `Tygodnik Ilustrowany` 1891, no. 79 (July 4th), p. 5. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Interior of the Vismarkt on the Nieuwmarkt in Amsterdam, Albrecht Felix Reicher, 1868 - 1938 print paper etching market-hall. fish; still life of fishes Vismarkt (Nieuwmarkt)

Bomenlaantje en Paleisuin, 1563 On the left a tree lane with two deer. On the right a palace garden with various galleries and a fountain with a triton driving on a fish and blowing on a shell. Print is part of an album. Antwerp paper etching On the left a tree lane with two deer. On the right a palace garden with various galleries and a fountain with a triton driving on a fish and blowing on a shell. Print is part of an album. Antwerp paper etching

Cemetery. Jabłczyński, Feliks (1865-1928), graphic artist

The Long Gallery, Louvre, 1894. James McNeill Whistler (American, 1834-1903). Lithograph;

Metro work, Place Saint Andr� des Arts, November 1906 (title by the author)

Vitré The Canal Made 1893 United States. Transfer lithograph in black with stumping, on cream laid paper . James McNeill Whistler

Marketplace, Frauen Kirche, Nuremberg. John Marin; American, 1870-1953. Date: 1910. Dimensions: 198 x 247 mm (plate); 295 x 401 mm (sheet). Etching with retroussage, selectively wiped, on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Garden Porch. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 8 7/16 × 6 3/8 in. (21.5 × 16.2 cm)Sheet: 12 3/8 x 8 3/4 in. (31.5 x 22.3 cm). Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.

Waking up a beautiful morning, the Emperor of China .... / 503 (registered title) | News. (Title of the whole)

At the Water Pump: Locomotive Filling Up. Lyonel Feininger; American, 1871-1956. Date: 1911. Dimensions: 240 x 315 mm. Pen and black ink, with traces of black chalk on tan laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Twelve Etchings from Nature: Liverdun, 1858. James McNeill Whistler (American, 1834-1903). Etching;

William Miller, 1796-1882, British, Nantes, 1833. Line engraving, engraver's proof.

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