Urban Life and Street Scenes

Etchings capturing bustling street life in late 19th-century cities, featuring marketplaces and personal interactions, rendered in soft tones.

James McNeill Whistler (American, 1834-1903), T.A. Nash's Fruit-Shop, c. 1886, etching

Passages de l'Opera. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Halt at the Village, before 1925. Auguste Brouet (French, 1872-1941). Etching;

WestminsterBridge. Artist: Félix Hilaire Buhot, French, 1847-1898

Demolition for the Opening of Boulevard St. Germain, 1862. Maxime Lalanne (French, 1827-1886), A. Cadart & J. Luquet, rue Richelieu, 79, Paris. Etching on chine collé; sheet: 42.9 x 30.7 cm (16 7/8 x 12 1/16 in.); platemark: 32.1 x 24.4 cm (12 5/8 x 9 5/8 in.).

Le Boulevard, au coin du Fauborg Montmartre, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Isle de la Cite, Paris. Dated: 1859. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

George Chinnery, Antiquities of Dacca, 1814 1827 Antiquities of Dacca

Westminster Bridge, or Westminster Tower, 1884. Félix Hilaire Buhot (French, 1847-1898). Etching, aquatint, drypoint and roulette; sheet: 33.5 x 47.9 cm (13 3/16 x 18 7/8 in.); platemark: 28.7 x 40.2 cm (11 5/16 x 15 13/16 in.).

Design for a Stage Set at the Opéra, Paris 1840-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358485

The Little Wheelwright's 1886 United States. Etching with foul biting and plate tone in black on cream laid paper . James McNeill Whistler

The Yorkshire Terrier. Dated: 1903. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Piazza. Giorgio de Chirico; Italian, 1888-1978. Date: 1914. Dimensions: 272 x 200 mm. Graphite, with erasing and touches of smudging, on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Antonio Tempesta showing Saint Sebastian on the Via Appia, created in 1600, depicting religious figure, Roman road, and devotional context.

Dom Przyrodników w Gdańsku ; verso: Żuraw w Gdańsku. Jabłczyński, Feliks (1865-1928), graphic artist

SuburbanPark. Artist: Auguste Lepère, French, 1849-1918

Cityscape with figures. Leaf 12 Recto from Sketchbook LVI with 26 sheets.

1810 wedding album. Entrance into Paris of the Emperor and the Empress on the day of the ceremony of their marriage Charles-Pierre-Joseph Normand (1765-1840) after Percier. 1810 wedding album. Entrance into Paris of the Emperor Napoleon I and the Empress Marie-Louise of Austria on the day of the ceremony of their marriage. Etching.

Street at Saverne 1858 United States. Etching in black ink on cream Japanese paper . James McNeill Whistler

Thomas Shotter Boys, Fish Market, Antwerp, 1839 Fish Market, Antwerp

Study for "Le Stryge". Dated: probably 1893. Dimensions: overall: 36.2 x 26 cm (14 1/4 x 10 1/4 in.). Medium: pen and black ink over graphite. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Joseph Pennell, Study for Le Stryge, probably 1893 Study for Le Stryge

Old Million Eyes 1909 United States. Etching on cream wove paper . Joseph Pennell

Lepère, Auguste (n.1849-11-30-D.1918-11-20), rue Olivier de Serres in 1887. 15th arrondissement, Paris (dummy title). Carnavalet museum, history of Paris.

Västmanland, Gamla Norberg's rock. Saw in carbage. Drawing by Ferdinand Boberg. Nordic

The Curved Canal Made 1909 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

View of the Pont Marie with figures in the Seine, Auguste Lepère, 1902 print paper etching city-view in general; 'veduta'. bridge Marie Pont

Towers and Gardens. Dated: 1922. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Donald Shaw MacLaughlan.

A Winter Morning on the Quai de l'Hôtel -Dieu, 1876. Félix Hilaire Buhot (French, 1847-1898). Etching, drypoint, aquatint and roulette; sheet: 34.4 x 47.5 cm (13 9/16 x 18 11/16 in.); platemark: 23.6 x 32.2 cm (9 5/16 x 12 11/16 in.).

Notre Dame, Paris. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1900. Dimensions: 186 x 254 mm (image/plate); 212 x 257 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Arkadenhof in Café Central, st, Herrengasse , Wilhelm Gause -, artist

Design for wallpaper painting for TA van Iddekinge. Draughtsman: Jurriaan Andriessen. Dating: c. 1752 - c. 1819. Measurements: h 282 mm × w 125 mm. Museum: Rijksmuseum, Amsterdam.

The Bieure atGentilly. Artist: Unknown

Garden of the Hospital. Date: May 1889, Arles. Dimensions: 46.6 cm x 59.9 cm. Museum: Van Gogh Museum, Amsterdam.

Photograph of Jan Matejko's Painting Stańczyk and Gamrat unknown

The Marketplace, Vitré Made 1893 United States. Transfer lithograph in black on ivory laid paper . James McNeill Whistler

Figures at a city gate in Jerusalem.page 31 from a sketchbook with 36 sheets.

Black Lion Wharf 1859 James McNeill Whistler American When he moved to London in 1859, Whistler lodged near the Thames in the docklands south of Tower Bridge and began to make etchings of the river. New visual modes are explored here, with cropped forms and distinct spatial zones recalling Japanese woodblock printsa genre he began collecting in Paris. Borrowing an effect from photographs, he renders the distant warehouses in sharp focus but treats closer forms broadly. Made in 1859, this etching was not published until 1871 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (the "Thames Set"). That year, Whistler also reproduced it on the wall behind his mother in the now famous painting, Arrangement in Grey and Black (Musée d’Orsay, Paris).. Black Lion Wharf 372701

Aquatint and etching by Carl Wilhelm Kolbe the Elder showing the Garde du Corps entering a warehouse near Potsdam, around 1810, partially colored, depicting soldiers and architecture.

The Rotterdammer Sloot in Amsterdam, muted in 1867. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 171 mm × w 164 mm. Museum: Rijksmuseum, Amsterdam.

Illustrationen Aus "Breslau"; Müller-Bernburg, Ernst (1874-1941); 1905 (1874-00-00-1935-00-00);

Gracht in Dordrecht at evening, Carel Nicolaas Storm of 's -Gravesande, 1889 - 1902 print Netherlands paper drypoint canals, waters (in city). evening Dordrecht

The Bernardines. Wyczółkowski, Leon (1852-1936), graphic artist

Print made by Joseph Pennell, 1860-1926, American, The Gun Shop, 1917. Lithograph on medium, cream, slightly textured laid paper.

Oriental Scene 1838 David Roberts British, Scottish. Oriental Scene 355624

Street Scene. John Marin; American, 1870-1953. Date: 1895-1900. Dimensions: 157 x 305 mm. Graphite on brown wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bologna. Richard Parkes Bonington (England, Arnold, 1802-1828). England, 1826-1827. Prints; etchings. Etching

L'Abreuvoir at Pont Marie, 1912. Auguste Louis Lepère (French, 1849-1918). Etching;

English War Work: The Bay of the Thousand Girls, 1916. Joseph Pennell (American, 1857-1926). Lithograph;

Joseph Pennell, The Bay of the Thousand Girls, 1916 The Bay of the Thousand Girls

Max Klinger, March Days II, 1883, etching and aquatint on chine collé on white wove paper.

Allegorical emblem at the Peace of Rijswijk, 1697. Draughtsman: anonymous. Dating: 1697. Place: Northern Netherlands. Measurements: h 295 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

The forge, James Abbott McNeill Whistler, 1895 print The farrier, his help and two horses are on the site near the forge. print maker: Englandprinter: Londonpublisher: London paper smith, blacksmith

The Old Rotterdam Rusts / Piket of the old Rotterdamsche Schutterij, 1833 - 1900 print Leaf with 2 performances of the Rotterdam militia (resting trucks and picket service). Under each image a four -line verse in two columns. Numbered at the top right: N 152. publisher: Turnhoutpublisher: Turnhoutprint maker: Netherlands paper letterpress printing warfare; military affairs (+ citizen soldiery, civil guard, citizen militia) Rotterdam

Braubach prints, lithographs, works on paper

Fisherman at Saint Ives Made 1891 Sweden. Etching on ivory laid paper . Anders Zorn

Illustration for the poem The Copper rider by A. Pushkin by Benois, Alexander Nikolayevich (1870-1960)/ Private Collection/ 1903/ Russia/ Watercolour and ink on paper/ Russian Painting, End of 19th - Early 20th cen./ 17,5x25/ Mythology, Allegory and Lite

Joseph Pennell, Golden Cornice, NoII, 1915 Golden Cornice, No.II

Venice (vignettes), Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, Sheet: 10 1/4 x 5 5/8in. (26 x 14.3cm)

St. Séverin, Paris. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1902. Dimensions: 185 x 111 mm (image/plate); 190 x 114 mm (primary support); 232 x 149 mm (secondary support). Etching in black on ivory wove paper, laid down on cream card. Origin: United States. Museum: The Chicago Art Institute, USA.

Anonymous, rue Brise-Miche. / Illustration February 11, 1911 (registered title (letter)), 1911-02-11. Photomécanic process. Carnavalet museum, history of Paris.

Sand Hopper. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 7 13/16 × 5 1/4 in. (19.9 × 13.3 cm)Plate: 5 15/16 × 2 15/16 in. (15.1 × 7.5 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

Augsburg. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

El Manshah Edwin Howland Blashfield (American, 1848-1936). El Manshah, 1887. Graphite on paper mounted on paperboard, Sheet: 14 1/16 x 9 15/16 in. (35.7 x 25.2 cm). American Art 1887

Depicts 'March Days I' (Opus IX, Blatt 8) by Max Klinger from 1883 using etching, aquatint, and needle work, showing narrative figures and symbolic composition.

, Floßgasse - birthplace of Johann Strauß d, Postcard, Brothers Kohn KG B, Producer, After, Gustav Feith -, drawer

Tom all alone's. Illustration by Phiz (Hablot Knight Browne) 1815-1882. From the book ""Bleak House"" by Charles Dickens. Published London 1853.

Fish Market, Antwerp, Belgium, 1839. Thomas Shotter Boys

The fire in the house of the French ambassador in The Hague, March 27, 1782, Aert Schouman, 1782 drawing The fire in the house of the French ambassador in The Hague, March 27, 1782. Under: De Brandt aen the Hoff van Vrankrijk in s' Hage on 27 March 1782. As the Zig / showed in the Nagts at 1 Uer, uyt it forest paper. chalk on fire, ablaze. fire-fighting. historical events and situations Franse Ambassade. The Hague

Rye, Sussex Charles Adams Platt (American, 1861-1933). , 1884. Etching on laid paper, Sheet and Image: 6 1/4 x 9 1/4 in. (15.9 x 23.5 cm). American Art 1884

Chteau de Chaumont, Touraine 1869 France. Etching on ivory laid paper . Maxime Lalanne

The Travellers, Charleroi. Dated: 1911. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

The German people favours OPTIMISMUS rather than PESSIMISMUS though isn't it ironic that the sign should be rose-tinted spectacles ? Date: 1915

An 1899 etching by Eugène Béjot titled 'The Half Dozen,' depicting six figures or objects arranged in composition, illustrating late 19th-century European etching practices.

st, high market - marriage fountain, postcard, Schneider , Lux, producer

Union Square, Rainy Day. Dated: 1904. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

attributed to William Henry Hunt, 1790-1864, British, Beauvais, ca. 1831. Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper.

Oscar F. Bluemner, Piazza S. Spirito, Florence, American, 1867 - 1938, 1912, pen and black ink

A Russian Winter Garden. Date/Period: 1835-38. Drawing. Brush and watercolor and gouache, graphite on white wove paper. Author: Vasily Semenovic Sadovnikov.

Motive aus Venice, Jakob everything , artist

Pieters Hal in Amsterdam. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 191 mm × w 131 mm. Museum: Rijksmuseum, Amsterdam.

Plate, from Moonstrip Empire News. Sir Eduardo Paolozzi (British, 1924-2005); printed by Kelpra Studio, London. Date: 1967. Dimensions: 380 × 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

of 2