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Vintage and Decorative Chairs

A selection of antique and vintage chairs showcasing unique woodwork, upholstery, and historical designs from different periods.

Wooden chair from Hendrik Tollens study (Rotterdam 1780 - Rijswijk 1856), with small drawer at the back, chair seating furniture interior furniture wood elm wood, Tollens Hendrik Tollens closer paint factory Rotterdam
Wooden chair from Hendrik Tollens study (Rotterdam 1780 - Rijswijk 1856), with small drawer at the back, chair seating furniture interior furniture wood elm wood, Tollens Hendrik Tollens closer paint factory Rotterdam
190 assets in this story
Arm chair covered with green wool, Hendrik Wouda, c. 1924 Arm chair of oak -wood resting on four legs. The legs are interconnected by means of an H-shaped cross. The front legs have a beveled side on both the top and top and continue in the arms. The hind legs extend in the tissue backstyles. The backrest consists of a wide upper sill with a narrow rule underneath. There is an open space in between and below. The armrests are laid in the backstyles and are completed on all sides. The loose seat rests on four lines that connect the legs at the top. The seat is covered with green wool. The Hague oak (wood). wool Arm chair of oak -wood resting on four legs. The legs are interconnected by means of an H-shaped cross. The front legs have a beveled side on both the top and top and continue in the arms. The hind legs extend in the tissue backstyles. The backrest consists of a wide upper sill with a narrow rule underneath. There is an open space in between and below. The armrests are laid in thArm chair with a sliced braided rosette and covered with red/pink trijp, Karel Petrus Cornelis de Basel, c. 1894 - c. 1900 Arm chair of oak -wood resting on four curved legs. The legs are interconnected by means of curved rules. The front legs continue in the struts for the armrests. The hind legs continue in the backstyles. The backrest consists of a panel with a round top at the top and a line on the bottom with three styles in between, the middle style of which is wider than the two others. On the panel on the top, a sliced rosette with pearl edges and inlaid with ebony is in the middle. The armrests broaden to the front. The seat is trapezoidal and is covered with red/pink trijp. Netherlands oak (wood). ebony (wood). wool Arm chair of oak -wood resting on four curved legs. The legs are interconnected by means of curved rules. The front legs continue in the struts for the armrests. The hind legs continue in the backstyles. The backrest consists of a panel with a round top at the topSide chair c 1870 New Lebanon. Wood . Artist unknownEssenhout armchair. Essenhout armchair, sitting of mated straw. The legs are above by four, under three sports connected; Everything with twisted sections. The upper front sport is flat with a braided bracelet; The under-front version closes back in the under-side sports. The open back window has channeled styles, a scalloped upper oracco-shaped sill and a winch in the middle. The baluster-shaped struts of the armrests end, through the side seas rules, in a point in the upper seas sports.Chair, Anonymous, 1700 Chair of Notenhout. The furniture has a seat covered with floral bronze -colored Trijp and a back -stretched back. The rest on baluster -shaped legs with bulb feet. There is a vase at the intersection of the flinged cross. The high back has a profiled window with a semi -circular, scalloped upper sill, arched styles and a sill with volutes and shells. Inside this window acanthus leaf and shell motif. The window is crowned by an Acanthus leaf decorations. Northern Netherlands wood (plant material). walnut (hardwood). Chair of Notenhout. The furniture has a seat covered with floral bronze -colored Trijp and a back -stretched back. The rest on baluster -shaped legs with bulb feet. There is a vase at the intersection of the flinged cross. The high back has a profiled window with a semi -circular, scalloped upper sill, arched styles and a sill with volutes and shells. Inside this window acanthus leaf and shell motif. The window is crowned by an Acanthus leaf decoratioArmchair. Armchair, lined, painted white-painted beech wood and resting on conical scanned legs, under square houses with rosettes. The square armrest supports have made fluctuated base members, stained braid ornament and acanthus leaf and support the armrests, ending in a volute. The trapezoidal sitting window has been bed. The light-curved upper sprinkle of the back window, decorated with graces, has a rounded corner; The styles end in rosettes. Seat rules and back framework wearing scaffolding. Stamped at the bottom of the front seat: F.C. ManantRockingChair. Maker: George Hunzinger, American, 1835-1898Shaker Dining Chair. Dated: 1935/1942. Dimensions: overall: 37.8 x 30.4 cm (14 7/8 x 11 15/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: JOHN DAVIS.Carl Weiss, Side Chair, 1935 1942 Side ChairChair (chaise à la Reine) (one of a set of four) Probably by Jean-Baptiste I Tilliard French ca. 1745-1750 This chair probably belonged to a larger set by Jean-Baptiste I Tilliard, the master of an important workshop in eighteenth-century Paris. The rich carving on each chaise à la Reine indicate that they may have been part of an important commission. Throughout the frame, elegant scrolls, reeds, acanthus leaves, shells, and bosses are carved and gilded. At the center of the top rail, exotic birds flank a prominent cartouche and a pattern of scrolling ribbons. Similarly, the seat-rail displays a cartouche in front that echoes this design element. View more. Chair (chaise à la Reine) (one of a set of four). French, Paris. ca. 1745-1750. Beechwood unusually richly carved and gilded; previously upholstered with coral colored velvet attached with brass-headed nails, now upholstered in yellow petit point. Woodwork-FurnitureWork and writing table (table en chiffonière) ca. 1760 Bernard II van Risenburgh The table en chiffonière is a type of furniture that appeared in France around 1750, as patrons sought to combine a sense of elegance and comfort in their daily furnishings. The top is decorated in floral marquetry of veneered tulipwood and end-cut kingwood, and is hinged at the back, opening to three compartments inside. This kind of table typically included drawers that could be used to hold papers, jewelry, and chiffons or cloth, hence the tables name. Although van Risenburgh produced a quantity of these small yet functional pieces (similar models can be seen in the Wrightsman collection at the museum—see 1984.471.1 and 1977.102.7), the care he took in making each table is visible in the careful coordination of shaped veneer panels with foliate gilt-bronze mounts, which both embellish and protect the veneer at the corners, legs, and feet of the table. The gilt-bronze moulding around the top has been caElm wooded rocking chair, rocking chair seat furniture furniture interior design wood elm paint, Under the seat space for drawer around closed panels high back with 'ears'.Antoni Gaudi i Cornet. Canapé de roble con talla. 98x118x 60 cm. Barcelona, hacia 1904.Sofa. Dated: 1940. Dimensions: overall: 44.5 x 58 cm (17 1/2 x 22 13/16 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Rolland Livingstone.Armchair (fauteuil à la Reine) (one of a pair) 18th century Jean-Baptiste I Tilliard The stamp Tilliard,” indicates that these armchairs were made by one of the important families of joiners or menuisiers working in Paris during the eighteenth century. Jean-Baptiste Tilliard I opened a furniture shop on rue de Cléry in 1730, which produced many pieces for the royal apartments at Versailles. When Tilliard I retired in 1764, his son Jacques-Jean-Baptiste Tilliard assumed control of the family workshop. The gilded beechwood frames are richly decorated with scrolls, floral sprays, acanthus leaves, and the for this workshop characteristic heart-shaped motifs on the crest rail and in the center of the sea trail. The backsides of the frames are incised indicating that these chairs were not meant to be placed against the wall but intended to be seen in the round.. Armchair (fauteuil à la Reine) (one of a pair). French. 18th century. Frame of beechwood carved and gilded; upholstered with blue Daybed (duchesse en bateau) 1770 Jean-Baptiste II Lelarge. Daybed (duchesse en bateau). French. 1770. Carved and gilded beechwood, silk velvet upholstery, brass casters. Woodwork-FurnitureFrançois-Honoré-Georges Jacob, dit Jacob-Desmalter (1770-1841). Chair of the Gothic cabinet of the Comtesse d'Osmond. Sculpted and golden wood, modern filling. 1817/1820-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 123478-26old wooden chair furniture isolated over white backgroundSide Chair. Culture: American. Dimensions: 36 x 20 1/2 x 16 in. (91.4 x 52.1 x 40.6 cm). Maker: Attributed to Thomas Seymour (1771-1848). Date: 1805-10. Museum: Metropolitan Museum of Art, New York, USA.Wing chair ca. 1725 British. Wing chair. British. ca. 1725. Mahogany, mahogany veneer. Woodwork-FurnitureSideChairLow-back windsorarmchairArmchair ca.1847 Attributed to Thomas Brooks American. Armchair. American. ca.1847. Rosewood, brass, leather, replacement upholstery. Made in Brooklyn, New York, New York, United Statesisolated classic leather chair made in 3dold chair old wooden chair furniture isolated over white background Copyright: xZoonar.com/tudorxantonelxadrianx 6243586Side Chair, one of a pair, 1769, Henri Jacob, French, 1753 - 1824, 39 1/4 x 22 in. (99.7 x 55.88 cm), Giltwood, France, 18th centuryHitchcock Chair. Dated: 1935/1942. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Genevieve Sherlock.Side Chair. India, Tamil Nadu, Coromandel Coast, circa 1680-1700. Furnishings; Furniture. Ebony, rosewood, cane, and brass fittings; velvet cushionChairs (France); Made by M. Delaporte (French); carved and painted beechwood, silkChairWhite Vintage classical farbirc style ChairArmchair. Dated: 1940. Dimensions: overall: 35.5 x 27.6 cm (14 x 10 7/8 in.) Original IAD Object: c. 38"high. Medium: watercolor, colored pencil, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Harry Mann Waddell.Settee third quarter 18th century Italian The interlaced scrolls that form the back of these chairs were a popular feature of eighteenth-century Venetian seating furniture.. Settee 232238Ruth Bialostosky, Chair, 1936 ChairEdwardian period antique child chairA portable chair belonging to Emperor Charles V of the Holy Roman Empire, ca. 1545. Photograph, ca. 1900.Duchesse (No. 4), from Recueil de différents Muebles garniers Comme Fauteuils (Liard's 'Suites'), Matthew Liard, English, ca. 1736-1782, Etching on cream laid paper, Duchesse cushion decorated with rinceaux; arms and back in floral and curved Rococo motif., England, 1762, furniture, Print, PrintChair with blue upholstery and straight back with openwork middle style, anonymous, c. 1775 - c. 1800 Chair of mahogany with a straight back, straight open work and tight tapered legs. The loose seat is covered with blue silk damask. Amsterdam (possibly) mahogany (wood). silk. paper. cardboard Chair of mahogany with a straight back, straight open work and tight tapered legs. The loose seat is covered with blue silk damask. Amsterdam (possibly) mahogany (wood). silk. paper. cardboardChair angle Golden chair with crocodile leather angle isolated Copyright: xZoonar.com/Baloncicix 14637874. Kitchen chair on four profiled legs, between which smooth scarters. The back styles are also profiled. Two smooth sports are between the back styles. The seat has a driven diamond pattern with studs. The chair has not been marked.Philippe-Joseph Pluvinet. Couch. Beech, around 1760. Paris, Carnavalet museum. 50254-6 Canape, Hetre, Furniture, FurnitureBank with invested heart -shaped motives, art dealership E.J. van Wisselingh, c. 1900 - c. 1905 Esside bank, inlaid with hair -shaped motifs in ivory. The nails that connect the pen and hole connections are also of ivory. The bank is covered with Trijp. Amsterdam ash (wood). ivory. cherry (wood). Esside bank, inlaid with hair -shaped motifs in ivory. The nails that connect the pen and hole connections are also of ivory. The bank is covered with Trijp. Amsterdam ash (wood). ivory. cherry (wood).Settee. Culture: British, London. Designer: Designed by Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836-1912 Wiesbaden). Dimensions: Overall: 35 1/2 × 58 1/4 × 28 in. (90.2 × 148 × 71.1 cm). Manufacturer: Johnstone Norman & Co., London (active 1880-1900). Date: ca. 1885.Part of a set of furniture designed for the music room in the New York residence of Henry G. Marquand on Madison Avenue at Sixty-eighth Street. Marquand was one of the founders of the Metropolitan Museum and its president from 1890 until 1902. The upholstery is modern: silkscreened designs were specially commissioned in an attempt to evoke the original richly embroidered panels of the settee's seat and back. Museum: Metropolitan Museum of Art, New York, USA.Circular worktable ca. 1772 Martin Carlin French The three curved Sèvres soft-paste porcelain plaques bear the date letter for 1771.. Circular worktable 206494Detail, a pile of three chairsSettee - Sofa. Dated: c. 1937. Dimensions: overall: 24.2 x 30.5 cm (9 1/2 x 12 in.) Original IAD Object: none given. Medium: watercolor, gouache, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edna C. Rex.Pair of SideChairsArmchair mid-18th century Italian, Venice The carved flower decoration of the top rail is continued on the back, where green foliage is painted on a light yellowish green background.. Armchair. Italian, Venice. mid-18th century. Pine, carved, painted and gilded; velvet. Woodwork-FurnitureDorothy Johnson, Hide bottom High seat Chair, c 1939 Hide-bottom High-seat ChairChairA stand under the radiorocking chair isolated on white background. Chair of rosewood, covered with calf leather. The furniture has slim columns with four sports. The rear styles are crowned by lions stabbed separately as shield holders on pedestals in the form of an ionic capital.Frank Wenger, Sofa, 1936 SofaChair, Carl von Hasenauer -, draftStand c 1800-1815 New Hampshire. Partially painted maple . Samuel DunlapStoel Kops-Amouublement, Anonymous, c. 1793 - C. 1795 Covered chair, part of the KopsEublement, of white and blue gray painted beech wood and resting on conical legs. The seating rules and sills of the back window, with Tuscan -canaled columns as backstyles, show stabbed braid tire with rosettes. Finish with rosettes and acanthus leaves. The upholstery shows floral motifs on light blue satin soil, held on the back by griffins. Ordered for the Nieuwe Gracht 74 building, Haarlem. See: BK-15615-A/P; BK-15614; BK-15616-A/B. furniture worker: Netherlandsdesigner: Amsterdam wood (plant material). beech (wood). silk Covered chair, part of the KopsEublement, of white and blue gray painted beech wood and resting on conical legs. The seating rules and sills of the back window, with Tuscan -canaled columns as backstyles, show stabbed braid tire with rosettes. Finish with rosettes and acanthus leaves. The upholstery shows floral motifs on light blue satin soil, held on the back by griffins. OrdereAmos C Brinton, Settee, c 1942 SetteeWalnut rococo fireplace, fire shield fire screen furniture wood walnut textile brass, Covered with green pleated textile on the side brass knob for extending mechanism Rotterdam City Triangle Hoogstraat North Oude Noorden Gerard Scholtenstraat Heilige Geesthuis Oudemannenhuis Oude mannenhuis Heiligegeesthuis rococo Object was until 1972 part of the inventory of the Heiligegeesthuis at the Gerard Scholtenstraat From 1898 to 1972 the 'Heiligegeesthuis' was located in this building.Armchair. Designer Finn Juhl, Danish, 1912-1989 Manufacturer: Baker Furniture, American, founded 1890Small Wooden Chair. Dated: c. 1937. Dimensions: overall: 36.1 x 28.7 cm (14 3/16 x 11 5/16 in.) Original IAD Object: c. 2 1/2'high. Medium: watercolor, colored pencil, graphite, and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Majel G. Claflin.Sweden, Blekinge, Blekinge, Karlskrona, Karlskrona, external marina (depicted, town).Sweden, Blekinge, Blekinge, Karlskrona, Karlskrona, External War Gogs (depicted, City)Patchwork brown leather cushions complementing vintage wooden chair Closeup of high-quality padded soft cushions made of neatly stitched patches of patinated brown leather complementing vintage style wooden chair, blending luxury with comfort Copyright: xZoonar.com/NazarovxSergeyx 21311257Strap Chair designed by Scholten & Baijings and manufactured by Moustache. Dated 2015Footstool 1810-20 American. Footstool. American. 1810-20. Mahogany, tulip poplar. Made in New York, New York, United StatesBlack genuine leather classical style chair with lampGolden Throne. Tutankhamun Treasure. Showing Tutankhamun and his wife.isolated classic golden chair isolated classic golden chair made in 3D Copyright: xZoonar.com/StanislavxRishnyakx 2952272women´s and men´s hat on the back of the chair isolated on white backgroundCard Table. Culture: American. Dimensions: 27 7/8 x 34 3/8 x 33 1/4 in. (70.8 cm x 87.3 cm x 84.5 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA.Kitchen Chair. Dated: c. 1940. Dimensions: overall: 40.6 x 30.3 cm (16 x 11 15/16 in.) Original IAD Object: Seat 13x15". Back 16"high; 13"wide.. Medium: watercolor, colored pencil, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Sydney Roberts.Armchair. Culture: American. Dimensions: 40 x 33 x 26 1/4 in. (101.6 x 83.8 x 66.7 cm). Maker: Gustav Stickley (American, Osceola, Wisconsin 1858-1942 Syracuse, New York). Date: ca.1907-13. Museum: Metropolitan Museum of Art, New York, USA.Table Model 1770-1800. Table Model 5221Spindleback Rose Chair, one of a pair, c. 1600-1675, 36 5/8 x 21 7/8 x 18 1/4 in. (93.03 x 55.56 x 46.36 cm), Huanghuali hardwood, China, 16th-17th centurySmall hide upholstered bucket chairSILLA-CUADRIGA-1989-METAL-80X50X53 CM-. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.Children's basket chair with braided diamonds. Mand seat of braided willows with diamond motifs. A handle is attached to the high straight back. The armrests and the downrighty frame is closed. Four ball legs and six buttons on the styles of two beads of black glass on a pin strung.Rolkussen van Het Polish bed, Anonymous, c. 1775 Roll cushion of silk damask of the bed in box. France wood (plant material). walnut (hardwood). beech (wood). iron (metal). silk. satin. copper (metal). paint (coating) cutting / damask Roll cushion of silk damask of the bed in box. France wood (plant material). walnut (hardwood). beech (wood). iron (metal). silk. satin. copper (metal). paint (coating) cutting / damaskAmsterdam - Principal Officer/Consul General Residence - 1992, United States photographs Related to Embassies, Consulates, and Other Overseas BuildingsEasy Chair 1745-60 American. Easy Chair 3483Armchair41. Designer Alvar Aalto, Finnish, 1898-1976Retailer: New Furniture Inc. of New York, AmericanObjects, furniture, ladderback chairs, Marblehead, 169 Washington Street, in Jeremiah Lee house , Chairs, Tables, Lee, Jeremiah, 1721-1775. Frank Cousins Glass Plate Negatives CollectionRay Holden, Shaker Table, c 1936 Shaker TableHexagonal chair created by Pierre Chareau (1883-1950) a French architect and designer. Dated 1920Furniture sketch decorative icons set of chair table sofa isolated vector illustration.Red lacquered framed folding throne, with gold lacquered cloud, dragon and waves design. Early to mid Qing dynasty. Forbidden City Museum. circa 1725in philippines old dirty terrace whith rocking chair empty Rex F Bush, Cradle, c 1938 CradleServing Table. Dated: c. 1938. Dimensions: overall: 24.6 x 35.5 cm (9 11/16 x 14 in.) Original IAD Object: Overall height: 28 1/2"; length, 33 1/2". See data sheet for dets.. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edward L. Loper.