Vintage Cityscapes

Prints featuring urban landscapes and maritime scenes, showcasing historical views of cities and their bustling life, often with ships and architecture.

Gdansk, formerly Danzig: distant view, with travellers in the foreground Date: circa 1700

View of the city and port of Lisbon (1662) - Rijksmuseum, Amsterdam.

Het 'game of the bridge' op de arno in Pisa, Antonio Francesco Lucini, After Stefano Della Bella, 1634 print View of the river Arno in Pisa during the 'Gioco del Ponte'. People on boats sail the river. Spectators view the spectacle from the bridges and quays. Text and coat of arms in STUDMARGE. Italy paper etching river. city-view, and landscape with man-made constructions Pisa. Arno

Gdansk, formerly Danzig: distant view, with travellers in the foreground Date: circa 1700

Dahlberg, Erik Jönssen, Reitz, Erik, Suecia Antiqua et Hodierna, Öhregrund, Östhammar, View of Öregrund and Östhammar, The print is part of an album., print, album sheet, prints, height 265 mm, width 331 mm, print maker, printmaker, 1695 - 1695, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Cityscape with ruins and fantasy architecture on the water; Landscapes with ruins and fantasy architecture and figures in antique and exotic pregnancy. Cityscape with ruins and fantasy architecture on the water. On the left a man and a woman at a cow. Print from a series of landscapes with ruins and fantasy architecture.

Albert Flamen depicts a coastal landscape featuring a small market in the foreground and a city in the background, drawn in brown ink.

Amsterdam: distant view, with ships Date: circa 1700

Stralsund, c1740. Creator: Johann Georg Ringlin.

Hanns Lautensack, View of Nuremberg from the East (right section), 1552 View of Nuremberg from the East right section

Northern Netherlands, Decker, Coenraet, The siege of Alkmaar, Siege of Alkmaar, 1573, Bird's-eye view of Alkmaar and its surroundings during the siege by the Spanish, 1573. In the foreground Spanish troops and some monks. At the bottom in a cartouche the Spanish storm bridge. In the caption the legend 1-15 in Dutch., print, picture, history print, prints, pictures, Frederik Muller History plates, height 267 mm, width 357 mm, Dutch, 1650 - 1685-03-02, print maker, printmaker, 1701 - 1703, first quarter 18th century, paper, etching, etchings

Amsterdam, Janssonius van Waesberge, Johannes (II), Novelanus, Symon, Hogenberg, Frans, Luyken, Jan, Hafnia, View of Copenhagen, landside and seaside, verso - stamped, print, picture, book illustration, prints, pictures, height 363 mm, width 413 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1588 - 1588, paper, etching, etchings, Dutch, German, 1540 - 1590, Southern Netherlands, Publication (Event), Publication, publisher

Copenhagen: distant view, with people on horses in the foreground Date: circa 1700

The fleet at Acapulco, 1615; Aquapolque; Figure of Aquapolque with sijn statement in what ways caught spaignaerts are running. The fleet in the port of Acapulco, October 9, 1615. The imprisoned Spaniards are released and exchanged against reversals and cattle. A fish (shark) That is caught there in the water. Part of the illustrations in Joris Journey Report from Spilbergen to the world, 1614-1617, No. 14.

Dahlberg, Erik Jönssen, Swidde, Willem, Suecia Antiqua et Hodierna, Lidkiöping, Mariaestadh, View of the towns Lidköping and Mariestad, The print is part of an album., print, album sheet, prints, height 272 mm, width 395 mm, Northern Netherlands, 1661 - 1697-06, print maker, printmaker, 1697 - 1697, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Indication of the depicted buildings Pressure

View of Venice, 1726; Venise, Capitale de la Republique du Même Nom; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Venice, in the foreground boats with people. Plate No. 375 in Part XVI of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

GRABADO CONQUISTAD DE TUNEZ. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

City on a river, Jan van de Velde (II), 1639 - 1641 print A rider and a walker near a ferry, near a city on a river. Third print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper etching prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage). ferry. river. landscape with tower or castle. riding a horse, ass, or mule; rider, horseman

View of Danzig, 1726, 1726 print View of Danzig, in the foreground travelers on a road. Plate no. 447 in Part XVIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 hand -numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Danzig

View of Kasteel Bekkevoort, Romeyn de Hooghe, 1700 print View of Bekkevoort Castle near Diest. At the top of the show a banderole with Latin text and a weapon. This print is part of an extensive performance, composed of 20 separate plates, of the history and works of the German Order (center) surrounded by performances of the Alden Biesen Landcommanderij (below) and the associated commanders (left and right) . Haarlem paper etching military orders, e.g.: Knights Templars, Knights of Malta, Teutonic Knights ~ Roman Catholic church. castle. armorial bearing, heraldry Diest

Ultrajected.

Kasteel Weerestein; Castles and inns at De Vecht and Amstel. View of Kasteel Weerestein at De Vecht in Nieuwersluis. The print is part of a six-part series with performances from the Vecht and Amstel located castles and inns.

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Boråås, Bogsund, View of the towns of Borås and Ulricehamn, The print is part of an album., print, album sheet, prints, height 260 mm, width 381 mm, 1655 - 1727-05-18, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Tripoli in Libya; 17th century illustration. French

Coastal landscape with the foundations of the house in Britten, 1658 - 1660 print Coastal landscape in a nutshell with a map of the foundations of the house in Britten, in the foreground boats at sea. paper etching landscape with ruins House in Britten

View of the German city of Nuremberg. Outside the city walls, a group of well-to-do gentlemen and a woman stand in the foreground. To the right, two figures suspended from beams. Above, a portrait (in half) of Albrecht Dürer, View of Nuremberg (sheet 2)., print maker: Dirk Eversen Lons, publisher: Nicolaes Visscher (I), Nicolaes Visscher (I), Amsterdam, 1666, paper, etching, h 405 mm × w 520 mm

Name D. God / La Verra CRVS / Trugillo / Hauana Portus / Panama / S. Marta / Campestie / S. Domingo, Anonymous, 1670 - 1672 print Leaf with two vertical strips, each with four faces on cities in Central America: Nombre de Dios, Veracruz, Trujillo, Havana, Panama, Santa Marta, Campeche and Santo Domingo. Uncuted leaf with eight edge figures intended to stick in strips as a frame to stick a map of a continent. Amsterdam paper etching maps of cities. prospect of city, town panorama, silhouette of city Name of God. Veracruz Trujillo Havana Panama. Santa Marta. Campeche. Santo Domingo

Nimes surprised by the Huguenots, 1569, 1565 - 1573 print Nîmes surprised by the Huguenots, November 15, 1569. Protestant troops take the city. With caption of 8 lines in German. Numbered: 30. Cologne paper etching capture of city (after the siege) Nîmes

View ofPassaw, Etching, sheet: 37.6 × 49.8 cm (14 13/16 × 19 5/8in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Hooghe, Romeyn de, Haarlem, Glorification of the Teutonic Order, in particular of the Alden Biesen Commandery Biesen, View of the castle of Saint-André, View of the castle of Saint-André near Liège. At the top of the representation a banderole without text and a coat of arms. This print is part of an extensive representation, composed of 20 separate plates, of the history and works of the Teutonic Order (middle) surrounded by representations of the Alden Biesen land commandery (bottom) and the associated commanderies (left and right)., print, prints, height 171 mm, width 241 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1700 - 1700, first quarter 18th century, paper, etching, etchings, Work conception, after own design by

View of the Louvre Made 1630-1635 France. Etching on paper . Jacques Callot

Genoa bombed by the French fleet, 1684, Caspar Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing bombardment Knee

Murder of the Protestants in Tours, 1562, 1567 - c. 1571 print Murder of the Protestants in Tours, July 1562. Madder by soldiers outside the walls of the city, on the bridge and in the water. With caption of 8 lines in German. Nummered in the bottom left: 29. The print is part of an album. Cologne paper etching massacre ~ war Tours

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Veduta di Campo Vaccino, e d'una parte della città di Roma, circa 1650. Silvestre, Israël, 1621-1691, etcher. ca. 1650 The view, drawn and etched by Israël Silvestre, spans from the Capitoline Hill to the Church and Convent of Saint Dominic and the ruins of the Temple of Peace. Legend with 38 sites, mostly ancient ruins, identified with text appearing in ten columns, with the sites identified in a numbered list in French to the left, and Italian to the right. Ref.: Arrigoni-Bertarelli 137; Faucheux 32 (with different Parisian publisher and dated 1652) Imprint: Paris, se vend aux Galleries du Louvre, chez Israel Silvestre. Text in French and Italian. Dedication to the King of France. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development under Mussolini transformed Rome i

Northern Netherlands, Kock, Melis Jansz, d' Inhaling van syn Konincklyke Mayesteyt van Groot Brittanie Willem de III binnen s'Gravenhage op den 5 February Ano. 1691, Entry of Willem III into The Hague, 1691, Entry of King Willem III into The Hague, 5 February 1691. Procession of carriages in five rows across a square. At the top a view of The Hague. An explanation for the numbers 1-14 in the representation is missing., print, prent, nieuwsprent, prints, Frederik Muller Historieplaten, height 485 mm, width 570 mm, print maker, prentmaker, 1691 - 1691, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etsen

Boat trip, Pieter van der Borcht (I), 1545 - 1608 print Hofentuin with a lake in the foreground. Spread throughout the print are couples who walk together. Three boats sail into the water in the foreground. The couples play music in the boat and sail to the other side. The series shows various aspects of courtship and some examples from the Old Testament. Antwerp (possibly) paper etching garden of Love, court of Love, 'fíªte galante'. rowing-boat, canoe, etc.. one person playing wind instrument. one person playing string instrument (plucked). French or architectonic garden; formal garden

Gerard de Jode after Hans Bol, Tobias and the Angel Disembowling the Fish Tobias and the Angel Disembowling the Fish

The relief of Leiden, Simon Fokke, 1776 print The relief of Leiden, 1574, 3 October 1574. Food is distributed from the Geuzenboots to the inhabitants of the city. On the left a city gate. At the bottom of a card of the region and two examples of the paper emergency money brought into circulation during the siege. Amsterdam paper etching / engraving raising the siege with outside assistance, relief. battle Leiden

GRANADA. ALHAMA. DETALLE DE UNA HOSPEDERIA CON APOSENTO PARA LAS CABALLERIAS. GRABADO DE CIVITATIS ORBIS TERRARUM , 1572.

Novum Amsterodamum. View from the south issued 1671.. Eno, Amos F., 1836-1915. Prints. 1671. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.) , 1650-1659, New York Harbor (N.Y. and N.J.) , 1600-1699

Warsaw View of Warsaw, starting from Kazimierzowski Palace to the village of Pólkowa Leopold, Josef Friedrich (1668 1726)

Moreau the young. Place Louis XV. Eat, 1770. Museum of Fine Arts of the City of Paris, Petit Palais. Portrait, 18th 18th 18th 18th 18th 18th century, engraving

View of Groningen, 1726, 1726 print View of Groningen, in the foreground a shepherdin with cattle. Plate no. 322 in Part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Groningen

View of the Seine with the Louvre in Paris, Jacques Callot, 1630 print Between the Tour de Nesle on the left and the Louvre on the right, a jousting game takes place between many ships on the Seine in Paris. In the foreground on the right, two ships feed striking flags with Fleur de Lis. Under the show an empty margin. This print is the pendant of a face on the Seine with the Pont Neuf in Paris. Nancy paper etching city-view in general; 'veduta'. tower, clock tower ~ monumental adornment. river. joust, tilt. ships (in general) Paris. Louvre Museum. Seine

View of Delfshaven and weapons of the mayors of Delft during the years 1675-1677, Coenraet Decker, 1678 print View of Delfshaven, seen from the Maas. At the top left coat of arms of the city of Delft flanked by two sea gods with trident and rowing span and horns of abundance filled with fish. A banderole with the title at the top in the middle. At the top right a cartouche with the legend 1-18. Under the Havengeicht the weapons of the eight mayors from the period 1675-1677 (period in which the map of which this print is part was manufactured). paper etching / engraving harbour. prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal). armorial bearing, heraldry Delfshaven

Dahlberg, Erik Jönssen, Perelle, Adam, Suecia Antiqua et Hodierna, Arx Möörby, View of Mörby Castle, The print is part of an album., print, album sheet, prints, height 220 mm, width 345 mm, French, 1640-10-08 - 1695-03-22, print maker, printmaker, 1670 - 1674, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

View of Nuremberg, to the West, left plate. Artist: Hanns Lautensack (German, Bamberg () ca. 1520-1564/66 Vienna). Dimensions: Plate: 12 1/16 × 19 5/16 in. (30.7 × 49 cm). Date: 1552. Museum: Metropolitan Museum of Art, New York, USA. Author: Hanns Lautensack.

Gate and pond in the park of Enghien; Enghien Park (Edingen). Hikers under the bow of a gate or triumphal arch that comes out on a pond, which floats a structure of hedges. Under the show a Dutch-speaking and a French-speaking legend. This print is part of a series of 16 prints (17 incl. Title Print) of the park of Enghien (Enghien), where a leaflet belongs.

View of Brussels (middle part), Abraham Dircksz. Santvoort, After Nicolaas van der Horst, 1748 print Middle part of a view of Brussels in a bird's eye view, consisting of three parts. paper etching / engraving prospect of city, town panorama, silhouette of city. Justitia (justice) as Roman personification. armour (+ weapons). hoofed animals: deer. fortified city. church (exterior) Brussels

The ships in Bay of Guarme, 1615, 1646 print Arrival of the ships in the bay of Guarme (Huarmey) in Peru to stock changes, July 28, 1615. With sloops, tons of fresh water are collected. Part of the illustrations in the report of the Joris van Spilbergen journey around the world, 1614-1617, No. 12. Northern Netherlands paper etching exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Guarme

Taking two bizerte galley legs. Seascape with galley pen at the coast of Bizerte. On the left the arm of the De Medici family. Tree cartouches with text in Italian in the undermarge.

Hogenberg, Frans, Noordelijke Nederlanden, Middelburg passes to the prince, 1574, Northern Netherlands, Middelburg passes to the prince after the siege, 9 February 1574. Arrival and entry of the army of the Prince of Orange. Top left the retreat of the Spanish troops under Mondragon. With a 4-line caption in Latin. Numbered: 50. Printed on the back with text in Latin., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 137 mm, width 163 mm, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, etching, etchings, Work conception, Dutch, German, 1540 - 1590

Fair Van Hoboken, Frans Hogenberg, after Pieter Bruegel (I), 1559 - 1561 print The Hoboken fair. View of a Vlaams Boerendorp where it is a fair with all kinds of festivities and games. In the middle a horse and carriage, left a round dance on the right front right arrow and bow. On the right an inn with outstanding paramount importance: this is the guilder of Hoboken. In the background on the right a Roman procession with a statue of saints and a stage performance on an elevation. Under the show a two -way caption in Dutch. Antwerp paper engraving / etching pleasure fair and circus Hoboken

Panel (Furnishing Fabric). D. Richards (English, active 1780); England, Manchester. Date: 1775-1785. Dimensions: 62.3 × 141.6 cm (24 1/2 × 55 3/4 in.). Cotton and linen, plain weave; copperplate printed. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

View of Augsburg, 1726; La Ville d'Augsspurg, Dans La Souabe; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Augsburg, resting travelers in the foreground. Plate No 201 in Part IX of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

Italy, 17th century. The city of Ortona (Chieti). Engraving.

Engraving depicting Cusco, Peru, dated 1638. The print measures 9.8 x 14.8 cm and features the Indians of South America

View of Kazan by Otto Koch, Copper engraving, active 17th century, 17th century, Russia, St. Petersburg, State Hermitage, 24,5x30,5

Illustration of the Kayserl, Haupt = and residence instead of Vienna, like such , View of the siege of Vienna , Michael Wering, Copper Engraver

Prince of Orange crosses the Maas, 1568, 1613 - 1615 print Prince of Orange crosses the Maas, October 1568. The army of the prince opposite the army of Alva, in the distance de Maas and Maastricht. With caption of 4 lines in Latin. Numbered: 22. Printed on the back with text in Latin. print maker: Northern Netherlandsafter print by: Germany paper etching army 'en route' (+ land forces) Maastricht. Mesh

View of Berlin, 1726, 1726 print View of Berlin from the southwest, towards Cologne, in the foreground country workers. Plate no. 216 In part IX of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Berlin

View of Haarlem C, left leaf. View of Haarlem, seen from the north, with the arms of Haarlem, worn by two harpies, with the inscription: Vicit Vim Virtus. A legend at the bottom left. In the foreground a shepherd with herd of cows at the ruin of house Ter Kleef.

Corusal of Prince Maurits in 1625, part at the top right, Gillis van Scheyndel (I), 1625 - 1626 print The funeral procession of Prince Maurits in Delft on September 16, 1625. Large representation of the ceremony, consisting of 4 magazines to be mounted, a title and associated text sheets (numbered 1-12). This is the magazine at the top right, with the Nieuwe Kerk and other buildings on the Grote Markt in Delft, in the air the Wapen van Maurits in an architectural accompaniment and the city coat of arms of Delft. Amsterdam paper etching cortege, funeral procession. historical events and situations Market. Delft

Wyck at Duerstede

Annual fair in Impruneta near Florence, Jacques Callot, 1620 print Annual market on October 18 in Impruneta, a village near Florence: a large crowd of stalls, traders and visitors on a square in front of a church. At the bottom left the coat of arms of the Santa Mariakerk in Impruneta, below the coat of arms of the Buondelmonti family (who founded the church), in the middle of the weapon of the Medici. Under the performance a caption in Latin. Florence paper etching (annual) fair, trade fair. village square, place. armorial bearing, heraldry Florence

Triumphal Bringing of Swedish Ships into St Petersburg after the Victory off the Hanko Peninsula by Zubov, Alexei Fyodorovich (1682-after 1750) / State Hermitage, St. Petersburg / 1714 / Russia / Etching / Architecture, Interior,Landscape,History / 48,6x

View of the Glory Schellach, Jan Luyken, 1696 print View of the Glory Schellach, located between Middelburg and Veere, in a nutshell perspective. At the top left the weapon of the Boudaen Courten family, which had the glory in her possession since Hendrik Boudaen Courten had bought it. A banderole with the title at the top in the middle. At the top right a putto with the weapon of Brigdamme. On the right in the foreground a ruin as the center of the adjacent garden of the Hofstede. Imagined at the top right: p. 662. Print Maker: Amsterdampublisher: Middelburg Publisher: Amsterdam paper etching / engraving prospect of village, silhouette of village. country-house. garden. French or architectonic garden; formal garden. ruins (garden ornaments). armorial bearing, heraldry. coat of arms (as symbol of the state, etc.) Schellach

GRABADO CONQUISTAD DE TUNEZ. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

. Hilly landscape with a city and city walls. Left in the foreground some farmers worship an image of the female goddess of Isis that is transported on a donkey. Next to the donkey is a man who paves the animal with a whip. The donkey thinks that people worship him instead of Isis. This is the imagination of an emblem whereby the moral of the story warns of arrogance and undeserved honor. The print has a Latin caption with the caption of the Emblem Non Tibi Sed Religioni from Andrea Alciati.

Paris, Callot, Jacques, Siege of La Rochelle, September 1627-October 1628 (central map, part lower right), verso lower left - stamped, Sixteenth part (central map, part lower right) of a print of the siege of the Huguenot stronghold La Rochelle in the years 1627 and 1628, which was carried out by order of the French king by the French army under the command of Cardinal Richelieu. On this sheet a part of the area around La Rochelle, populated by many figures. Here and there siege works (redundancies, fortifications, ramparts, etc.) are recognizable. In the foreground some ships off the coast. At the bottom right a scale indication., print, image, historical print, prints, images, height 566 mm, width 449 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1628 - 1631, second quarter 17th century, paper, papier, etching, etchings, Expression creation

Rabbit Yacht, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Hilly landscape with rabbit hunt. In the foreground some hunters who shoot rabbits with a crossbow. The print has an ornamental list of flowers, fish and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving hare-hunting, rabbit-hunting (+ bow and arrow). low hill country. flowers ~ ornament. ornamental birds. fishes (+ ornamental variants of animals)

Reception on the horny islands, 1616; Horn ins.; Image of 't Hoornse Eylandt. Ship the Eendracht at the Hoorn Islands, May 1616. On the right the reception and encounter with the local princes. Part of the illustrations of the Australian navigation of Jacob Le Maire included in Joris Journey Report of Spilbergen to the world, 1614-1617, No. 25.

View of the Pont Neuf Made 1630-1635 France. Etching on paper . Jacques Callot

Wien Vienna. 1569. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

View of the Buitenplaats Over-Holland on the Vecht, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 42. print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). country-house Vecht. New -louse

View of Leeuwarden, 1726; Leuwarde, Capitale de la Frize; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Leeuwarden, a resting family in the foreground. Plate No 321 in Part XIII of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

Antwerp from the Scheldt to see, left leaf. .

Landscape with Galgenveld near Haarlem, Esaias van de Velde, 1645 print The inscription T'Necht Buyten Haerlem places this landscape with Galgenveld in the area of Haarlem Haarlem paper etching / engraving violent death by hanging. law and jurisprudence (+ place of execution) Haarlem

View of Frankfurt. Draughtsman: anonymous. Dating: 1500 - 1600. Measurements: h 212 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

Ignacio Valls (Engraver); Joan Pau Canals Camps (Drafstman) / 'Decorations opposite the Royal Palace in Barcelona for the Arrival of Charles III'. 1759. Etching on ivory laid paper; 1759. Etching on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Walled Garden ca. 1560-70 Lucas Gassel. Walled Garden. series of varied landscapes, ca. 1570. Lucas Gassel (Flemish, Helmond ca. 1495/1500-ca. 1570 Brussels). ca. 1560-70. Etching and engraving. Prints

Monogrammist JBD, Haarlem, Spilman, Hendrik, Maastricht along the Maas to be seen, Maastricht from the St. Pieters Berg to be seen 1740, Two views of Maastricht, verso - stamped, print, prints, height 168 mm, width 218 mm, Northern Netherlands, 1721-02-17 - 1784, print maker, printmaker, 1746 - 1746, paper, papier, etching, etchings, intermediary draughtsman

View of Dordrecht, Gaspar Bouttats, After Jan Peeters (1624-1678), c. 1675 print View of Dordrecht, seen from the water. Different ships in the water. On the right in the background the Great or Onze-Lieve-Vrouwekerk. Upstairs in the middle the city coat of arms and the title. Under the image a description of the city in Dutch and in French. paper etching / letterpress printing prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal) Dordrecht

Intake of Breda, 1590, 1613 - 1615 print The intake of Breda by the State Army under Maurits, March 4, 1590. The peat ship is withdrawn into the castle. With caption of 4 lines in Latin. Numbered 202. Printed on the back with text in Latin. Northern Netherlands paper engraving Breda

Heyden, Jan van der, Northern Netherlands, Stopendaal, Daniël, Illustration of the Newly Invented and Octroyed Hose-Brandspuyte Nieuwelyck uytgevonden by Jan vander Heyde, inventor and fraudster of the city lanterns in Amsterdam, and Nicolaes van der Heyde, general supervisor of the locks and waters of the same city, and admitted surveyor, Application of the new fire hoses, 1677, Sheet with a large representation of the application of the new fire hoses invented by Jan and Nicolaes van der Heyden in extinguishing a fire in a building in an imaginary city. The lower part of the representation with the four small representations is cut off. Belongs to the additional pictures with the Fire Engine Book of Jan van der Heyden., print, prints, Frederik Muller History Plates, height 297 mm, width 452 mm, 1672-05-15 - 1726-09-19, print maker, printmaker, 1675 - 1677, fourth quarter 17th century, parchment (animal material), parchment, etching, etchings, 1637-03-05 - 1712-03-28, intermediary dra

View of Surat, 1629, 1646 print View of the city of Surat, 1629. On the water ships and boats, loading and unloading carts in the foreground. Part of the illustrations in the report of the trips of Pieter van den Broecke to the East Indies, 1605-1640, No. 10. Northern Netherlands paper etching / engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Surat

View of Utrecht and the four cardinal virtues, Noach van der Meer (I), Johannes Broedelet, 1745

View of Spa with the healing source (right magazine), Willem van Nieulandt (II), after Jan Brueghel (I), 1606 - 1628 print Right sheet of a face on the city of Spa with the Pouhon source on the market indicated with the letter A. at the bottom right in the efforts are people at the Pouhon source with cups and jugs. At the bottom of the margin, two two -line verses in Latin. Antwerp paper etching medicinal spring. village. mug, beaker, goblet Spa

Fireworks on the Arno in Florence, Jacques Callot, 1621 print Many figures are on the banks of and on two bridges over the Arno in Florence, to see the fireworks that are being set off on the river. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Florence paper etching bridge in city across river, canal, etc.. bonfire, fire-works - AA - festivities on the water Arno. Florence

Germany, Baur, Johann Wilhelm, Italy, Battaglia di Geminghen sotto il Duca d'Alva 1568, Battle of Jemmingen, 1568, July 21, 1568. The army of Louis of Nassau is defeated by Alva at the village of Jemmingen. On the right the river Ems with rowing boats with survivors. At the top the title and legend AN in Italian., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 186 mm, width 302 mm, print maker, prentmaker, 1632 - 1699, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, German, 1607-05-31 - 1642-02

Face locked ängsö and the Manshuis Aspnäs, Adam Perelle, 1670 - 1674 The print is part of an album. paper etching Herenhuis Aspnäs. Slot Ängsö The print is part of an album. paper etching Herenhuis Aspnäs. Slot Ängsö

Murder of the Protestants in Tours, 1562, 1565 - 1573 print Murder of the Protestants in Tours, July 1562. Madder by soldiers outside the walls of the city, on the bridge and in the water. With caption of 8 lines in German. Numbered: 13. Cologne paper etching massacre ~ war Tours

Bathseba receives the message from Uria, Hans Bol, 1568 drawing paper. ink pen / brush Bathsheba is told of Uriah's death; Bathsheba mourning

Northern Netherlands, Amsterdam, Visscher, Claes Jansz. (II), home at Britten, 't Honsbos, mermaid, countess, The house at Britten, the Hondsbos sea defenses and two Dutch legends, verso - stamped, Book illustration consisting of four different representations. Top left a map and the ruins of the House at Britten near Katwijk, right the Hondsbos sea defenses near Petten. Below two illustrations of folk tales: on the left the mermaid who was imprisoned in the Purmer, on the right the Countess of Holland who gave birth to 360 children., print, book illustration, prints, height 143 mm, width 200 mm, Work conception, 1586 - 1652-06-19, after a print by, 1610 - 1610, paper, etching, etchings, letterpress printing, print maker, printmaker

Spring, Hendrick van Schoel, after Hans Bol, 1595 - 1622 print At a castle, some men and ladies enjoy making music. On the left, a lady gets into a boat to go game sailing in the canal of the castle. The print is part of a series of four prints with the four seasons. Rome paper engraving spring ~ human activities (the four seasons of the year). more than one musician with instrument. castle

La Barque de Peche; Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Brandel, Konstanty-collection, Estonia, Livonia, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni - Illustrations, Leitgeber, Witold - collection, Russia, Vernet, Claude -Joseph (1714-1789), Dar (provenance), French (culture), landscapes, fishermen, generic scenes

Begg Van LA Lachelle, September 1627-October 1628 (Central Card, Part Obstot), Jacques Callet, 16281 print Sixteenth part (central map, part in the middle) of a print of the siege of the Huguenoten La Rochelle in the years 1627 and 1628, which was commissioned by the French King by the French army led by cardinal Richelieu. On this magazine a part of the area around La Rochelle, populated by many figures. The siege works that include the city (sconse, reinforcements, ramparts, the dike in front of the entrance of the port) are clearly recognizable. In the foreground, the middle plan and the background many ships off the coast. Paris paper etching siege. maps of separate countries or regions. warfare; military affairs (+ naval force). ships (in general). temporary fortifications La Rochelle

Copper engraving by Agostino Veneziano showing two men in a cemetery, depicting figures, tombstones, gestures, and setting, created between 1510 and 1515.

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