Vintage Cityscapes

Prints featuring urban landscapes and maritime scenes, showcasing historical views of cities and their bustling life, often with ships and architecture.

Gdansk, formerly Danzig: distant view, with travellers in the foreground Date: circa 1700

Method of construction of chimneys to prevent the sun and wind from returning the fumes, engraving from Il theatro de gl'instrumenti e machine (The theatre of instruments and machines), figure 41, by Jacques Besson, 1582, Lyon.

Copper engraving by Matthaeus Merian, from about 1650, Tuebingen, Baden-Wuerttemberg, Germany, Europe

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Jerusalem in the 17th century. Miniature from 'Chronique du Voyage dans la sainte cite de Jerusalem). Conde Museum. Chateau of Chantilly, France.

View of Haarlem about the Amsterdam Vaart, Johannes Swertner, 1763 print View of Haarlem over the water of the Amsterdam canal. Different rowing boats on the water, cows in the meadow on the banks. Bottom numbered "6". paper etching Haarlem

Jonah preaches in Nineve, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print Jonah preaches in Nineve, as God had instructed him. He predicts that the city will be destroyed in forty days. The show is caught in a circular frame with a Bible quote from Jonah in Latin. paper engraving when Jonah arrives in the city of Nineveh he foretells its destruction in forty days

Map of Amsterdam, Romeyn de Hooghe (Possible), After Romeyn de Hooghe, 1754 - 1779 print Map in a nutshell perspective. At the top left of the legend 1-48 with a bowl of 3000 Amsteldam feet on the right. At the top right of the Legenda 49-106 with the legend of the Bolwerken 1-26 underneath. At the bottom in the middle of the Amsterdam city of Amsterdam with the coat of arms of the city and the Keizerskroon, flanked by two lions. To the left of her (from right to left) Mercury; The river god of the Amstel that is offered fruits and grains from Ceres, Faunus and Bacchus; And the city seal surrounded by fishing nets and fishing on drying. To the right of the Stedensmaag (from left to right) the river god of the IJ and personifications of the four continents - Europe, Asia, Africa and America. Orientation: south -southwest above. paper etching / engraving maps of cities. coat of arms (as symbol of the state, etc.) (+ city; municipal). seal (as symbol of the state, etc.) (+ city; municipa

Resting figures in a landscape with cows and a tower, Jan van de Velde (II), 1616 print Resting figures in a landscape with cows and a tower. At the top a cartouche with the title. At the bottom of the cartouche a head of a bull where painting attributes as a reference to Saint Lucas as a patron saint of the artists. At the top a head of a saat. Title print of part three of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching tower (of house or building). landscape with tower or castle. landscape with ruins. resting - BB - out of doors. cow

View of Delft, Jan Brueghel (II), 1611 - 1678 drawing paper. ink. pencil pen prospect of city, town panorama, silhouette of city Delft

Germany, Augsburg, Probst, Georg Balthasar, Prospect of the magnificent temple built by Kayser Justiniano in Constantinople, View of the entrance to the Aya Sophia mosque in Constantinople, print, optic print, prints, optic prints, height 315 mm, width 452 mm, Publication (Event), Publication, German, 1732 - 1801, publisher, 1742 - 1801, paper, papier, cardboard, prepared paper, watercolor (paint), watercolour, deck paint, etching, brush, schilder, cutting, Snij, perforating, perforateren, print maker, printmaker

Panorama of Münster, Pieter Nolpe, Hugo Allard, Anonymous, 1648 - 1653

Cologne, Hogenberg, Frans, Series 9: Dutch and German Events, 1583-1587, Parma's ship bridge over the Scheldt, 1585, Ship bridge built by the army of the Duke of Parma, which closed off the Scheldt to Antwerp. Completed on 24 February 1584. Bottom left the legend in a cartouche, top right an inset with a map of the region. With a 3-line caption in German. Numbered: 82., print, news print, album sheet, prints, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1585 - 1587, fourth quarter 16th century, paper, papier, etching, etchings

Cartography, Italy, 18th century. The City of Minervino (Lecce). Engraving from Il Regno di Napoli in prospettiva (The Kingdom of Naples in Perspective), by Giovan Battista Pacichelli, 1702.

Swych Utrecht in Amsterdam, Jan Goeree, After Unknown, 1782 print Two performances of the Swych Utrecht tower in Amsterdam. Above: a drapery with the side view of the tower. Under the drapery: the tower in a landscape. The print has a Dutch inscription and the page number 220 at the top right. print maker: Amsterdamafter drawing by: Amsterdamafter print by: Gouda paper etching / engraving city-walls (+ city(-scape) with figures, staffage) Your Utrecht

Intake of hoes, 1595; That Stat und Das Schloss Hoy im Luttger Lande; Series 10: Dutch and foreign events, 1587-1612. Ingestion of Huy in the Principhife Liège by the State Army, 5 February 1595. Riders of the State Army ride across the bridge over the Maas the city. With caption of 12 lines in German. Left below numbered: 303. The print is part of an album.

Spectacle on the Amstel, 1639 On the occasion of the visit of Maria de 'Medici to Amsterdam, a spectacle was organized on the Amstel. Maria de 'Medici is in a sloop. On the water, among other things, Neptune in a sea shell that is pulled by two seahorses. Behind it Mercurius, God of the trade, in a ship with the Stedensmaag in front. There is a floating theater in the river. Further on, two men on a boat are busy with a joust. The print is part of a book about Maria de 'Medici to the Netherlands. London paper etching Amsterdam. Amstel (river) On the occasion of the visit of Maria de 'Medici to Amsterdam, a spectacle was organized on the Amstel. Maria de 'Medici is in a sloop. On the water, among other things, Neptune in a sea shell that is pulled by two seahorses. Behind it Mercurius, God of the trade, in a ship with the Stedensmaag in front. There is a floating theater in the river. Further on, two men on a boat are busy with a joust. The print is part of a book about Maria de 'Medic

Ericsson, Henry, work, Sketchbook, 49 leaves, 1933, drawing, Tivoli, amusement park, 13.5 cm x 21.8 cm, Ericsson, Henry, part: Figure, 1933, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

View of the city of Venice, Anonymous, 1700 - 1799 print At the top left numbered: 18. paper. watercolor (paint) etching / brush city-view in general; 'veduta' (+ city(-scape) with figures, staffage). sailing-ship, sailing-boat. gondola Venice

Slot Loevestein where Rombout Hogerbeets and Hugo de Groot were imprisoned, 1619, Claes Jansz. Visscher (II), 1619 print Face Loevestein locked. Rombout Hogerbeets and Hugo de Groot were both sentenced to life imprisonment in the castle on 18 May 1619. At the top left the Wapen van Holland, top right that of Maurits van Oranje. On the left the arrival of the prisoners accompanied by soldiers. In the distance the cities Woudrichem and Gorinchem. At the bottom two portraits of the convicted persons and a second sight on Loevestein with a brief description of event. Amsterdam paper etching / engraving imprisonment. castle. coat of arms (as symbol of the state, etc.) (+ province; provincial). armorial bearing, heraldry Slot Loevestein

Entry of Don Juan in Brussels, 1577, 1613 - 1615 print Don Juan conquers the Citadel from Namur, July 24, 1577. A group of riders takes the fortress by surprise. With caption of 4 lines in Latin. Numbered: 79. Printed on the back with text in Latin. Northern Netherlands paper etching / engraving Castle of Namur

Map of Franeker, 1652 print Map in a nutshell perspective. At the top left the Wapen van Friesland. At the bottom right Cartouche with assignment and the family crest of Jan Antonides van der Linden. At the bottom in the middle the title with the arms of Franeker and two female figures. Legend right. On Verso Latin text. paper engraving / etching / letterpress printing maps of cities. coat of arms (as symbol of the state, etc.) Friesland. Franeker

View of Batavia, Anonymous, c. 1700 - c. 1799 print Face in a nutshell on Batavia, from the sea. Ships, including VOC sailing ships, in the foreground. The title in a banner at the top, with the weapon of Batavia underneath. At the top right: II. Share p. 116. paper engraving island (in tropical and sub-tropical regions) Batavia

View of the city of Hamburg, Adriaen Oudendijck, 1668 print View of the city of Hamburg from a meadow outside the city. In the foreground a rider with two hunters and a shepherd with cows. In the middle the city coat of arms and a banderol with the name of the city. Netherlands paper etching / engraving city-view in general; 'veduta' Hamburg

Noteborg (Illustration from "Travels to the Great Duke of Muscovy and the King of Persia" by Adam Olearius) by Rothgiesser, Christian Lorenzen (-1659) / Private Collection / 1634 / Germany / Copper engraving / History /Baroque

Jacques Callot (1592-1635). "Headquarters of the Citadel of Saint Martin in the Ile de Ré, first border of the bottom, on the left, the general assault of the English at the citadel" (Lieure 658, Meaume 526). Etching. 1629-1630. Museum of Fine Arts of the City of Paris, Petit Palais. 99597-21 Etching, engraving

Twelfth sheet of 'De vermaerde koopstadt van Amstelredam', a map of Amsterdam in bird's-eye view, traced on tracing paper.., Twelfth page of a map of Amsterdam, traced on tracing paper 'De vermaerde koopstadt van Amstelredam / confterfeyt met alle sijn Wateren / Bruggen / Straten / Kercken / Kloosteren / Huysen / Toorens / Poorten ende Mueren / ende om om omleggende situatie / gemaeckt ter eer eer K.M. ende oock den Eersamen Raedt der selver Stadt / en allemaal Liefhebberen der Konste / enz., draughtsman: anonymous, Cornelis Anthonisz., Amsterdam, 1700 - 1899, tracing paper, pen, h 270 mm × w 356 mm

March, Joos de Momper (II), 1590 - 1610, The month of March. On the left a man with a pruning knife and branches, on the right a vineyard. In the center, a castle with ornamental garden. Design for a print., draughtsman: Joos de Momper (II), 1590 - 1610, paper, pen, brush, h 189 mm × w 263 mm

View of the Pont Neuf. Dated: 1629. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

View of the city and the palace of Versailles, Anonymous, 1700 - 1799 print In the lower margin a rule of French text. paper. cardboard. watercolor (paint) etching / brush palace. city-view in general; 'veduta' (+ city(-scape) with figures, staffage) Castle of Versailles. Versailles

Righteous by their faith saved; Justus Sua Fide Vivet; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Landscape with the representation of the day on which the people's son is revealed according to Luke 17. Of the two people in bed, one will be included and the other will be left behind. Of two women who are grinding together, one will be taken. Another two men in the field is also picked up and remains the other behind (Luc. 17). The print is part of an album.

Plate Eleven from Drawings of Several Movements by Soldiers. Stefano della Bella; Italian, 1610-1664. Date: 1644. Dimensions: 55 x 123 mm (image); 59 x 126 mm (plate); 65 x 131 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Villa Pamphili outside Porta S. Pancrazio, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1776. Dimensions: 490 x 703 mm (image); 495 x 710 mm (plate); 516 x 718 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

The Siege of La Rochelle: Plate 11, 1628-1630. Jacques Callot (French, 1592-1635). Etching; sheet: 64.7 x 51.1 cm (25 1/2 x 20 1/8 in.); platemark: 57 x 45.2 cm (22 7/16 x 17 13/16 in.).

Failed attack on Geneva by the Duke of Savoije, 1602, 1602 - 1604 print Failed attack on Geneva by the Duke of Savoije, December 11, 1602. With caption of 16 lines in German and a legend in French. Numbered: 342. Cologne paper etching attack ~ siege Geneva

TOLEDO. VISTA GENERAL. GRABADO DE ANTON VANDER WYNGAERDE , AÑO 1563.

18 Brumaire in the year VIII (9 November 1799) by Anonymous / Private Collection/ 1799/ Italy/ Etching/ Caricature/ History

Lock Wildenfels 1663, Figure 79

. Print at the top right numbered: 397.

A view of the first cities of the United States; Detail of Baltimore section. Boqueta de Woiseri, John L. (fl. 1807-1811). Prints. 1817. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.), Boston (Mass.), Philadelphia (Pa.), Baltimore (Md.), Charleston (S.C.), Richmond (Va.)

Bastion on a river, Jan van de Velde (II), after Gerard van der Horst, 1628 print River landscape with activity at a fort. Two guns on the ramparts and in the distance a tower in the water where many boats and sailing ships. Fifth print from a series of five. Northern Netherlands paper etching river. bastion, bulwark. landscape with tower or castle. firearms: cannon

Paniek in de Parijse Tuilerieën, 1720; opkomst en gevolg der accieonnisten (title on object). Het Groote Tafereel der Dwaasheid (series title). Draughtsman: anonymous. Dating: 1720. Place: Northern Netherlands. Measurements: h 75 mm × w 225 mm. Museum: Rijksmuseum, Amsterdam.

Edouard Eckman after Jacques Callot, Ponte Vecchio, Florence, 1621 Ponte Vecchio, Florence

When the prince was brought to the dead,of those who Hot his bread, From the history sheets , public execution of the murderer of Prince Wilhelm von Orania in July , Frans Franz Hogenberg -, Copper Engraver

Entry of Maximilian II into Nuremberg, June 7, 1570. Artist: Jost Amman (Swiss, Zurich before 1539-1591 Nuremberg). Dimensions: Sheet: 9 1/16 × 13 11/16 in. (23 × 34.7 cm). Date: 1570. Museum: Metropolitan Museum of Art, New York, USA. Author: Jost Amman.

GREAT MEETING OF THE BRITISH ASSOCIATION FOR THE ADVANCEMENT OF SCIENCE AT YORK

View of Kremlin by Anonymous painter, copper engraving, 1656, Private Collection

Kampen 1642-44 Wenceslaus Hollar Bohemian Distant view of Kampen on the banks of the river IJssel; three figures seen near gallows in foreground at left One of a set of 12 views in Germany, formerly in an album, now disbound. According to Vertue, these prints based on drawings made in 1632 when Hollar made a Rhine journey from Cologne.. Kampen 360843

View of the Colosseum, Anonymous, After Hendrick van Cleve, 1585 print View of the ruins of the Colosseum, from above. In the foreground some artists who are sketching the area. The print is part of a series that depicts different places in the Mediterranean. print maker: Antwerpafter design by: Antwerppublisher: Haarlem paper engraving ruin of a building ~ architecture Colosseum

Geometrical plan of his Majesty's Dockyard near Portsmouth, Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after Thomas Milton, active 1739-1756, British, shipping by John Cleveley the elder, ca. 1712-1777, British, 1754, Line engraving on medium, moderately textured, cream laid paper, Sheet: 18 3/4 x 25 1/4in. (47.6 x 64.1cm), Plate: 19 11/16 × 26 9/16 inches (50 × 67.5 cm), and Image: 18 3/4 × 25 3/16 inches (47.6 × 64 cm)

Local of Jan van Speijk along the Nieuwe Stadsherberg, 1832, Anonymous, 1832 print The corpse with the remains of Jan van Speijk sails along the building of the Nieuwe Stadsherberg, on the water some of eight small boats of the procession and other boats with spectators. Two four -line verses in the caption. Second album in a series of four records from the funeral of Jan van Speijk in Amsterdam on 4 with 1832. Amsterdam paper cortege, funeral procession. public funeral - AA - festivities on the water Amsterdam. New Stadsherberg

Quebec (ca.1650). Artist: Louis Crepy, French b. about 1680

View of Bolsward, Jacob Folkema, 1702 - 1767 print paper etching city-view, and landscape with man-made constructions. horse Bolsward

Jonah is under the Wonderboom, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print Jonah sits on a rock above the city of Nineve and speaks with God. This makes a tree grow in front of him so that Jonah can be in the shade. The show is caught in a circular frame with a Bible quote from Jonah in Latin. paper engraving the prophet Jonah withdraws from Nineveh; he builds a booth and while enjoying the shade of a plant (gourd or vine) which God made grow for him, he awaits the destiny of the city

Amsterdam, Visscher, Claes Jansz. (II), Doetechum, Johannes or Lucas van, Master of the Small Landscapes, Landscapes with buildings, Castle in a landscape, verso - stamped, A castle with a moat in a landscape. Possibly Warmond Castle. In the foreground a sailing ship with five passengers. Swans are swimming in the moat., print, prints, height 102 mm, width 154 mm, Northern Netherlands, 1586 - 1652-06-19, print maker, printmaker, 1620 - 1620, paper, etching, etchings, Work conception, Southern Netherlands, after design by, after print by, Publication (Event), Publication, publisher

Vista y Prospettiva del Palacio del Rey de Portugal en Lisbona, c. 1766-1801. Published by George Balthazar Probst (German, 1732-1801). Etching and engraving, hand colored and assembled from multiple sheets of paper; image and sheet: 29.6 x 45.2 cm (11 5/8 x 17 13/16 in.). This perspective view (often called a vue doptique,or optical view) is an example of a popular art and entertainment format during the second half of the 1700s in Europe. The hand-colored etching and engraving was made to be viewed with a special viewing device consisting of a convex lens and a mirror, so that scene appeared to be a three-dimensional image. Here, the viewer can enjoy a perspective view of the palace of the King of Portugal in Lisbon. Such views—which were only made for a short time and largely disappeared with the advent of photography—appealed to both elite audiences, who viewed collections of images with their own viewing devices in private drawing rooms, and popular audiences, for whom they were

. Sixth part of a face on Rotterdam.

Winter, Hessel Gerritsz (possibly), 1641 - 1700, Ice view., draughtsman: Hessel Gerritsz, (possibly), 1641 - 1700, parchment (animal material), pen, h 136 mm × w 228 mm

Israel Silvestre (1621-1691). "View of the quay and the Saint Bernard gate". Feather and ink bistre with gray wash on paper, 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99423-28 XVIIEM XVIIth XVII 17th 17th 17th century, engraving

View of Scherpenheuvel. Draughtsman: Josua de Grave. Dating: 1674. Measurements: h 114 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

MADRID. PLANO DE LA CIUDAD. GRABADO DE LA OBRA "DELICIAS DE ESPAÑA Y PORTUGAL" DE PIETER VAN DER AA. AÑO 1707.

Speculum Romanae Magnificentiae: Circus Maximus. Artist: Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 14 3/4 x 21 9/16 in. (37.5 x 54.7 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1581.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where

The Sund (channel) with Kronborg Castle, Helsingor (Elsinore), Denmark and Helsingborg, Sweden, on the other side. Illustration from Leopold von Buchs Travels Through Norway and Lapland, 1813. Copperplate engraving by Dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817.

Boat with eight rowers at a rapid / imperial throne in China, Caspar Luyken, 1698 print Two performances of a plate. Print at the top right marked: fol. 178. print maker: Amsterdampublisher: The Hague paper etching rowing-boat, canoe, etc.. river. throne. Chinese

Het Koninklyk Hof met een gedeelte der Stadt Marokko. The royal palace with a parte of ye City M.. Ogilby, John (1600-1676). Illustrations, Prints. 1670. General Research Division. South Africa, Islands of the Indian Ocean, Islands of the Atlantic, Africa , Description and travel, Animals, Laborers, Castles & palaces

Part of a view of the city of Gorinchem. In the foreground the Merwede with two ships. On the clouds sits the winged Justice, Part of a view of Gorinchem., print maker: Nicolaes Weydtmans, Gorinchem, 1600 - 1700, paper, engraving, h 272 mm × w 183 mm

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Face Lock Sandemar, from the north, Johannes Jacobsz van den Aveele, 1699 The print is part of an album. Stockholm paper etching Slot Sandemar The print is part of an album. Stockholm paper etching Slot Sandemar

Skaters on the ice near a mill near Penningsveer, Anonymous, After Esaias van de Velde, 1615 - 1652 print Copy in mirror image to print from Esaias van de Velde paper etching / engraving windmill in landscape. skates (winter sports) Penningsveer

View of the Antiquity. Weiss, Isidor (1774-post 1809), graphic artist, Pczycki, Stanisław (ca 1769-post 1844), graphic artist

Map of Stockholm (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 32). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Aubry de La Mottraye (French, 1674-1743). Dimensions: sheet: 9 15/16 x 6 11/16 in. (25.2 x 17 cm). Date: 1723-24. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Callot. The headquarters of La Rochelle Jacques Callot (1592-1635). The headquarters of La Rochelle, 1627. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

A faithful representation of the fireworks display presented by Johann Müller as proof of his Mastership, Johannis Schiessplatz, Nuremberg, 1659 1659 Anonymous. A faithful representation of the fireworks display presented by Johann Müller as proof of his Mastership, Johannis Schiessplatz, Nuremberg, 1659 680939

Paleis van Svartsjö, Jean Lepautre, 1669 The print is part of an album. paper etching Slot Svartsjö The print is part of an album. paper etching Slot Svartsjö

City of Angers. Draughtsman: anonymous. Dating: 1600 - 1650. Measurements: h 112 mm × w 175 mm. Museum: Rijksmuseum, Amsterdam.

The fleet at Melaka, 1606; Malacca Gelijck shows him from the rise; Malacca. The Dutch fleet at Melaka, summer 1606. Part of the illustrations in the trip of the trip by Cornelis Matelief de Jonge for the VOC to East Indies and China, 1605-1608, No. 2.

Giuseppe Vasi, after Paolo Posi, The Prima Macchina for the Chinea of 1752 A Deliziosa Alluding to Villa Carl'Amalia in Caserta, 1752 The Prima Macchina for the Chinea of 1752: A Deliziosa Alluding to Villa Carl'Amalia in Caserta

Wenceslaus Hollar, Title Page, 1635 Title Page

Djakarta (formerly Batavia): general view of land and sea, with someone riding on an elephant in the foreground Date: circa 1700

Untitled (SChloss Lienhart, etc. Townscape of LAUGIGEN), Etching, image: 12.2 × 49.1 cm (4 13/16 × 19 5/16 in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Jacques Callot (1592-1635). "Breda seat, first leaf from the top, on the left" (Lieure 593, Meaume 510). Etching. 1627. Museum of Fine Arts of the City of Paris, Petit Palais. 99597-6 Etching, engraving

Book Illustration, A Treatise of Japaning and Varnishing, Japanese village

Bird show of the city of Vienna from the north rd ed, From and to Jacob Hoefnagel, Jacob Hoefnagel also, Houffnagel -, Artist, Nicolaes Verscher I, publisher

Conquest of San Salvador in Brazil by Admiraal Jacob Willekes, 1624, 1624 print The conquest of San Salvador in Brazil by Admiraal Jacob Willekes for the WIC, 10 May 1624. View of the city and forts at the entrance of the bay from which the Dutch fleet is shot. At the bottom left a bet with a ticket from the larger area. Under the plate, a text printed in 4 columns in Latin. Amsterdam paper etching / letterpress printing battle (+ naval force). capture of city (after the siege) Salvador

The Great Aztec Temple at Tenochtitlan. Dedicated to the god of war. Built in a large square, with an ashlar wall, carved on the outside with different loops of chained snakes. Engraving. "Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España" (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain.

Part of the map of Haarlem. One of the four blades that together present the map of Haarlem. Top left of a banderole with text (VICIT VI) M Virtus. At the top right Neptune.

Augusta, Augsburg at the beginning of the 17th century, Germany, Historical, digitally restored reproduction of an original from the 19th century, exa...

Amsterdam, Wendel, widow JH, Asch-Karmans Kermis-Wensch 1845, Fair print of the Amsterdam ash cart men for the year 1845, verso - stamped, Fair print on behalf of the ash cart men (cart man or garbage man) in Amsterdam, September 1, 1845. View of the Oude Schans with the Montelbaanstoren in Amsterdam with a man emptying an ash bucket into the cart while another man collects money from home. At the bottom a poem in two columns. On behalf of JD Farjon, the cartman of district no. 19., print, picture, fairground picture, prints, pictures, Frederik Muller History plates, height 344 mm, width 212 mm, print maker, printmaker, 1845 - 1845, paper, letterpress printing, woodcut, Dutch, printer

Germany, 16th century. Hamburg in 1572.

Adelaarfontein in the garden of Villa d'Este in Tivoli, Pieter Schenk (I), 1693 - 1717 print View of the Eaglefontein in the garden of Villa d'Este in Tivoli. Title in Latin and in Dutch in the lower margin. Print is part of an album. print maker: AmsterdamThe Hague paper etching city-view, and landscape with man-made constructions. ornamental fountain. garden Villa d'Este. Tivoli

View of Copenhagen, 1659; Coppen-Hagen. View of Copenhagen in a nutshell perspective. In the foreground ships for the port and the new exhibition. At the top of Denmark and Copenhagen weapons. Probably manufactured in connection with Dutch support in February 1659 to the relievance of Copenhagen, besieged by the Sweden.

Innsbruck from the series Civitates Orbis Terrarum, vol. V, plate 59. Artist: Simon Novellanus (16th century); After Joris Hoefnagel (Netherlandish, Antwerp 1542-1601 Vienna). Dimensions: sheet: 14 15/16 x 20 5/16 in. (38 x 51.6 cm). Date: 1590. Museum: Metropolitan Museum of Art, New York, USA.

Garden with a ground floor with a star -shaped compartment, anonymous, after Hans Vredeman de Vries, c. 1600 - c. 1601 Garden with a ground floor with a star -shaped compartment in the center. The garden is laid according to the Corinthian building order. The print is part of an album. Antwerp paper etching Garden with a ground floor with a star -shaped compartment in the center. The garden is laid according to the Corinthian building order. The print is part of an album. Antwerp paper etching

View of the gardens at the Ducal Palace in Nancy; Parterre du Palais de Nanci. View of the ducal gardens in Nancy, in a nutshell perspective. On the right the palace, left forest shades and a fountain, here and of hikers, riders and gardeners. In the foreground a lowered, fenced lusthof, in the background a higher garden. Central to the foreground the ducal couple as spectators at a ball game. At the top of the show a coat of arms worn by an eagle and two banderoles; Enter a six-line French fresh.

Map of the siege of Palmanova, Giovanni Justo, c. 1593 - c. 1699 print A map with armies in a fight between Gorizia and Palmanova. Italy paper etching maps, atlases. siege Palmanova. Gorizia

Germany, Hogenberg, French, Northern Netherlands, Plundering of Mechelen, 1572, Looting of Mechelen by the army of Alva, under the command of his son Don Frederik, 1 October 1572. Goods are collected on the market and taken away by the soldiers. In the middle foreground a standing crying naked mother with children. With a caption of 4 lines in Latin. Numbered: 33. Printed on the back with text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 137 mm, width 161 mm, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, etching, etchings, Work conception, Dutch, German, 1540 - 1590

Purple tile tableau, view of Overschie with church tower, tile picture material ceramics pottery glaze wood, baked 2x glazed painted Four wide three high Overschie ( painted and baked in the middle at the bottom) topography village view Overschie Rotterdam

LIB 28-1-15 F216 - FIESTA ESPAOLA EN ROMA - AO 1589 -GRABADO SIGLO XVI. Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN.

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