Virgin and Child Artworks

A series of religious paintings featuring the Virgin Mary and Child, presented in varying styles and settings, emphasizing their spiritual significance.

Madonna In The Tent Raphael (1483-1520 Italian) Bavarian National Museum, Munich, Germany

Diptych with Virgin and Child and Three Donors, by The Master of Saint Ursula Legend, 1486, Groeningemuseum, Bruges, West Flanders, Belgium, Europe

Virgin And Child. Maria with child. Maria is sitting on an ornamental marble throne and coastal the Christ child sitting on a pillow on a pedestal next to her. The child has struck his arms around his mother's neck. Maria has two cherries in her right hand, on the balustrade in the foreground and an apple. Through the window on the left view of a landscape.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Madonna In The Tent Raphael (1483-1520 Italian) Bavarian National Museum, Munich, Germany

Madonna and Child, painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

Painting titled 'The Virgin and Child' by Domenico Ghirlandaio (1449-1494) an Italian Renaissance painter. Dated 15th Century

Madonna and Child or Madonna with the tree, by Cesare da Sesto (1477-1523), oil on panel, 46x36 cm.

Madonna and Child with the Infant Saint John. Dated: c. 1505. Dimensions: overall: 78.4 x 64.1 cm (30 7/8 x 25 1/4 in.) framed: 103.5 x 89.5 x 9.8 cm (40 3/4 x 35 1/4 x 3 7/8 in.). Medium: oil and tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Attributed to Fernando Yáñez de la Almedina.

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum9. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche58. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin and Child by Leonardo da Vinci, Oil on canvas, 1478 Renaissance, 1452-1519, Russia, St. Petersburg, State Hermitage, 49, 5x33

'Madonna and Child'. Italy, Circa 1515. Dimensions: 21x16 cm. Museum: State Hermitage, St. Petersburg. Author: Lo Spagna (Giovanni di Pietro).

Jungfrau with child approx. 1485, Virgin and Child, painting by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, Record date not stated

The Virgin seated with the infant Christ sleeping in her lap, in an oval frame, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Francois de Poilly (French, Abbeville 1623-1693 Paris). Dimensions: Sheet (Trimmed): 16 13/16 × 12 15/16 in. (42.7 × 32.8 cm). Date: ca. 1655-70.After a painting by Reni. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Virgin and Child Enthroned with Two Angels Holding a Crown. Attributed to Ansano Ciampanti; Italian, 1474-1532/1535. Date: 1505-1515. Dimensions: 107.8 x 46.5 cm (42 3/8 x 18 5/16 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.

Giovanni Battista Tiepolo, Italian (1696-1770), Madonna of the Goldfinch, c. 1767-1770, oil on canvas

Giovanni Bellini; Italian; Venice; active by 1459 - 1516 Venice; Madonna and Child; Oil on wood.

Madonna and Child, c. 1350. Attributed to Lippo Memmi (Italian). Tempera and gold on poplar panel; framed: 71.3 x 43.8 x 5.7 cm (28 1/16 x 17 1/4 x 2 1/4 in.); unframed: 71.3 x 44 cm (28 1/16 x 17 5/16 in.).

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Boltraffio, Giovanni Antonio (1467 1516)

Madonna of the Carnation, Leonardo da Vinci, circa 1475, Alte Pinakothek, Munich, Germany, Europe

Madonna and Child with the Young Saint John the Baptist ca. 1497 Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) Italian Mother and child are shown in a softly lit domestic interior with a window looking on to a mill copied from the Netherlandish painter Hans Memling, whose paintings were prized among Florentines. By contrast, the lively play of hands, the elaborate configuration of the drapery, and the treatment of light are Fra Bartolomeos response to the work of Leonardo da Vinci. Fra Bartolomeo was among the most creative painters in late fifteenth-century Florence. This work was painted before he joined the Dominican order in 1500.. Madonna and Child with the Young Saint John the Baptist. Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473-1517 Florence). ca. 1497. Oil and gold on wood. Paintings

Virgin and Child with Saints Jerome, Bernardino of Siena, and Angels. Sano di Pietro; Italian, 1405-1481. Date: 1450-1460. Dimensions: Painted Surface: 66.2 × 48.2 cm (26 1/8 × 19 1/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

The Madonna with the child and the St. John the Baptist, The Madonna and Child with the Infant Saint John the Baptist, painting by Sandro Botticelli March 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historical, digitally restored reproduction of a template, record date not stated

Madonna and Child in a Landscape. Date/Period: Ca. 1518. Oil on panel. Height: 41.9 cm (16.4 in); Width: 26 cm (10.2 in). Author: Lucas Cranach the Elder.

Albrecht Dürer, German (1471-1528), Madonna and Child obverse, c. 1496-1499, oil on panel

Madonna with Child. Date/Period: Ca. 1460. Painting / Andachtsbilder. Oil on poplar wood. Height: 66.3 cm (26.1 in); Width: 48.6 cm (19.1 in). Author: GIOVANNI BELLINI.

'Mystic Marriage of St Catherine'. Italy, 16th century. Dimensions: 184x133 cm. Museum: State Hermitage, St. Petersburg. Author: GIORGIO VASARI.

Luini, Bernardino, Certosa di Pavia, Noack, Alfredo, Madonna di Luino, Photographic reproduction of the fresco Madonna del Garofano by Bernardino Luini in the Certosa di Pavia, recto - printed, photograph, photo, reproduction, photographs, photographically illustrated books, No. 10. Madonna von Luini in der Sacristei., verso - pasted, 984, height 380 mm, width 287 mm, German, Italian, 1833 - 1895, photographer, 1877 - 1882, photographic paper, photo paper, cardboard, albumen print, albumine print, 1480 - 1532, after a painting by

Virgin and Child, by Sandro Botticelli, 1470, Musee Jacquemart-Andre, Paris, France, Europe

The Holy Family (Madonna with the Beardless Joseph). Raphael (Raffaello Sanzio), 1483-1520

The Madonna and Child with the infant Saint John the Baptist, The Madonna and Child with the infant Saint John the Baptist, painting by Sandro Botticelli (1445 - 1510), one of the most important Italian painters and draftsmen of the early Renaissance, historical, digitally restored reproduction from an original.

The Rest on the Flight into Egypt with St. John the Baptist; Fra Bartolommeo (Baccio della Porta) (Italian, 1472 - 1517); about 1509; Oil on panel; 130.8 × 105.7 cm (51 1,2 × 41 5,8 in.)

Madonna and Child, wooden altarpiece preserved in the Palazzo Medici Riccardi in Florence - Filippo Lippi,circa 1466

Madonna and Child; Studio of Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian (Florentine), about 1456 - 1536); about 1490 - 1500; Tempera possibly mixed with oil on panel; 76.2 x 53.3 cm (30 x 21 in.)

Jacopo Bellini; Italian; Venetian; active 1424-70; Madonna and Child; Tempera on wood.

Madonna and Child ca. 1510 Workshop of Giovanni Bellini Oil on wood Metropolitan Museum of Art, New York

Lazio Viterbo Viterbo Museo Civico32. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Ancona (Italia, Marche), Pinacoteca Civica Podesti. Lorenzo Lotto, Pala dell'Alabarda (Madonna col Bamnino, Santi Stefano, Lorenzo, Giovanni E., Simone Guda, nella lunetta lo Spirito Santo), 1539

The Niccolini-Cowper Madonna, Raphael, 1508, National Gallery of Art, Washington DC, USA, North America

Lazio Roma Rome SS. Giovanni e Paolo03. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early M

Bernhard Strigel, Saint Mary Cleophas and Her Family, German, 1460-1461-1528, c. 1520-1528, oil on panel

Madonna and Child Pietro di Giovanni d'Ambrogio (Italian, School of Siena, active 1428-1449). Madonna and Child, 1440s. Tempera and tooled gold on poplar panel, 38 1/2 x 20 7/8 x 1 5/8 in. (97.8 x 53 x 4.1 cm). This painting is the cut-down central panel of a triptych, or three-panel work, which would have included two wings” in addition to this main image, as well as a predella below. The depiction of the Madonna and Child conforms to a well-known early fifteenth-century Sienese format: the Child is partly draped, supported in an almost standing position by the Madonna, who holds one of his feet as he reaches out to grasp her. While the delicacy of the features is typical of the Sienese style, the artist also brings other qualities to the painting: the solidity of the Child’s body (a more Florentine characteristic), the intimacy of his touch on Mary’s cheek, and the linear elegance of the drapery. There is about the painting a quiet tenderness, the more moving for its aura of auster

The Holy Family with John the Baptist and Saint Elizabeth (La Perla) by Raphael (1483-1520) / Museo del Prado, Madrid / ca 1518 / Italy, Roman School / Oil on canvas / Bible / 147,4x116 / Renaissance

Lucas Cranach dÄ Madonna und Kind (Washington, DC) Lucas Cranach the Elder, Madonna and Child, German, 1472 - 1553, probably c. 1535 or after, oil on panel, Gift of Adolph Caspar Miller

Guercino depicted Maria seated on clouds holding the blessing child in front view using red chalk, with some damage and holes in the corners.

Rafael Santi Madonna del Granduca. Karta No. 304 W: The galleries of Europe. Painting of old masters in the colors of the originals. Volume 6, publisher of E. A. Seemann, Leipzig 1911. Publisher by A.E. Seemann in Leipzig, Santi, Raffaello (1483 1520)

Style of Agostino di Duccio, Madonna and Child, 1460s or later Madonna and Child

San Sanseverino Marche (Italia, Marche - provincia di Macerata), Pinacoteca Civica P. Tacchi Venturi”, Bernardino di Betto, noto come Pinturicchio, Madonna col Bambino, angeli e committente

Madonna and Child Enthroned, c. 1350. Master of San Lucchese (Italian, c. 1335-1380). Tempera and gold on poplar panel; framed: 122.5 x 61 x 7.5 cm (48 1/4 x 24 x 2 15/16 in.); unframed: 113.7 x 54 cm (44 3/4 x 21 1/4 in.).

Virgin and Child. Niccolò di Pietro Gerini; Italian, fl. 1368-1415. Date: 1390-1400. Dimensions: 78.7 x 46.5 cm (31 3/8 x 18 5/16 in.). Tempera on panel transferred to canvas. Origin: Italy. Museum: The Chicago Art Institute, USA.

Madonna and Child with Saint Elizabeth and Saint John the Baptist. Dated: c. 1535. Dimensions: overall: 161.3 x 119 x 2.9 cm (63 1/2 x 46 7/8 x 1 1/8 in.) framed: 189.2 x 147 x 8.8 cm (74 1/2 x 57 7/8 x 3 7/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Jacopino del Conte.

The Holy Family / Mantegna / c.1485/90

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)92. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Madonna della Seggiola, Madonna della sedia, Madonna of the Chair, Raphael, 1514, Palatine Gallery, Pitti Palace, Palazzo Pitti, Florence, Tuscany, Italy, Europe

Emilia-Romagna Ravenna Bagnacavallo Museo Civico1. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna of the Meadow, Giovanni Bellini, circa 1500,

Madonna and Child with Angels (1465-1470), Madonna and Child with Angels, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

Raphael or Penni / Madonna del diadema

Russia, St. Petersburg, The Hermitage (aka Winter Palace). Masterpiece painting of Madonna & Child by Leonardo da Vinci. The Benois Madonna (Madonna with a Flower) c. 1478 (Editorial Usage Only)

Tuscany Siena Asciano Museo di Arte Sacra5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Mary Meeting Elizabeth'. Spain, 1630-1635. Dimensions: 55,2x30 cm. Museum: State Hermitage, St. Petersburg. Author: JUAN DEL CASTILLO.

Umbria Perugia Perugia Galleria Nazionale dell'Umbria3. Hutzel, Max 1960-1990 Views of Umbrian painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Simone Martini, Virgin and Child (Siena)

Lazio Viterbo Canino Collegiata, SS. Andrea e Giovanni Battista7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pieve di Cento Pinacoteca Civica93. Hutzel, Max 1960-1990 Medieval: Antiphonaries. Post-medieval: Paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child with Saints Francis and Jerome 1500-10 Francesco Francia Italian Dating from about 1500-1510, this fine picture exemplifies the "sweetness and harmony of coloring" that made Francia a precursor of High Renaissance art. As with his contemporaries Perugino and Bellini, Francia was especially admired for what has been called a "devotional style" of painting, in which the refinement and delicacy of the technique and the serenity of the expressions made the picture an ideal focus for meditation and prayer.. Madonna and Child with Saints Francis and Jerome. Francesco Francia (Italian, Bologna ca. 1447-1517 Bologna). 1500-10. Tempera on wood. Paintings

'Madonna with a Child'. Germany, 15th century. Dimensions: 46,5x34 cm. Museum: State Hermitage, St. Petersburg. Author: Artist of Northern Germany. 15th century.

Dirck (follower of) Bouts (Haarlem, ca. 1415 - Louvain, 1475). The Virgin and Child (ca. 1465). Oil on panel. 28.5 x 20 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Barocci, Federico, Italy, Schiaminossi, Raffaello, Virgin and Child in the Clouds, verso sheet - stamped, Virgin and Child sitting on a cloudscape. Above two cherubs. A line of Latin text in the bottom margin., print, prints, height 145 mm, width 106 mm, Italian, 1572 - 1622, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Work conception, 1528 - 1612-09-30

Anonymous (Copy Campin, Robert) / 'The Nursing Madonna', 15th century, Flemish School, Oil on panel, 18 cm x 13 cm, P03144. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Virgin and Child. Date/Period: Last decade of 15th century. Painting. Fresco transferred to canvas. Height: 994 mm (39.13 in); Width: 677 mm (26.65 in). Author: School of Perugino.

Pietà. Date/Period: 1435 - 1440. Panel. Height: 57.50 mm (2.26 in); Width: 32 mm (1.25 in). Author: Filippo Lippi.

The Madonna of the Cherries, 1515. Titian.

La Belle Jardiniero by Raphael

Holy Family and Mary Magdalene by Parmigianino, Oil on wood, circa 1535, 1503-1540, Italy, Florence, Galleria degli Uffizi, 75, 5x60

Lazio Roma Grottaferrata Museo5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna of the Rose, ca 1530, by Francesco Mazzola, known as Parmigianino (1503-1540), oil on canvas, 109x88 cm.

The Madonna of the Cherubim, 1485. Mantegna, Andrea del.

The Virgin and Saint John the Evangelist 1510-1530 Netherlands. Pairing the figures of the Virgin Mary and Saint John the Evangelist, this panel was probably once the right half of a diptych. A representation of Christ after the Crucifixion, a type characterized as the ìMan of Sorrows,î probably filled the lost left-hand panel and would have been the object of the tearful gazes of Mary and John and also of the meditation of the diptychís owner. The textured gold background suggests that the figures exist in a visionary space, suited to the meditative function of the ensemble. The paintingís style and its underdrawing suggest that it may be the work of one of Jacob Cornelisz.ís close associates, an artist who has been named for a sketchbook preserved in Berlin.. Oil on panel . Jacob Cornelisz. van Oostsanen

Lazio Roma Nazzano S. Antimo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Perugia Convent S. Pietro. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pieve di Cento Pinacoteca Civica91. Hutzel, Max 1960-1990 Medieval: Antiphonaries. Post-medieval: Paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin andChild. Artist: Giovanni Bellini, Italian, Venice, ca. 1430-1516

Umbria Perugia Foligno S. Maria Infraportas7. Hutzel, Max 1960-1990 Medieval: frescoes paintings on panel, wooden sculptures. Post-medieval: frescoes, paintings on panel, paintings on canvas, stucco, baptismal font, architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mary with the Child and Singing Angels (c. 1477), Mary with the Child and Singing Angels, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

Lazio Latina Fondi S. Pietro, Duomo7. Hutzel, Max 1960-1990 Painting and sculpture from the church interior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Amelia Palazzo Comunale5. Hutzel, Max 1960-1990 Medieval: Architectural sculpture: sarcophagus, capitals. Post-medieval: Architecture & architectural sculpture. Piazza del Municipio (Piazza Matteotti) with view of Palazzo Comunale; portal; coats of arms & insignia. Interior views of frescoes, friezes, 16th & 17th century paintings in Salons I & II Antiquities: Architecture & architectural sculpture, 1st century B.C.-1st century A.D. Remains & fragments of former Roman palace & of sepulchres, capitals, statues, gravestones, sarcophagi, sacrificial altar. Object Notes: The Palazzo Comunale stands on the site of a Roman palace of the pre-Christian era. The Antiquities fragments & remains are displayed in the courtyard of the Palazzo and in the grotto-like rooms of the former Roman palace. Hutzel photo campaign date: September 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this proj

Virgin has the child Luigi Calamatta (1802-1869) according to Raphael. "Virgin to the child", 19th century. Paris, museum of romantic life.

The Virgin and Child with Members of the Meyer Family, Holbein, Hans, the Younger, 1530.

Bernard van Orley,(Barend van Orley) Flemish, Belgian painter (1490-1541). @ Mary and Child' (Jesus and Mary)

Lot and his Daughters, Cranach, Lucas, the Elder (1472-1553)

The Virgin and Child', c1475-1500, (1912).Artist: Sandro Botticelli

INMACULADA-PINTURA SOBRE MARMOL-REG GRAL 2196-. Author: Attributed to VALDES LUCAS. Location: HOSPITAL DE LOS VENERABLES. Sevilla. Seville. SPAIN. INMACULADA CONCEPCION.

Umbria Terni Narni S. Giovenale, Cathedral48. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Lazio Latina Fondi S. Pietro, Duomo. Hutzel, Max 1960-1990 Painting and sculpture from the church interior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stefan Lochner (ca.1400/1410-1451). German painter. Triptych with the Virgin in the Garden of Paradise, ca.1445-1450. Wallraf-Richartz Museum. Cologne. Germany.

The Virgin holding the infant Christ, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Johann Christoph Winkler (German, Augsburg 1701-ca. 1770 Vienna). Dimensions: Sheet (Trimmed): 6 3/8 × 5 1/16 in. (16.2 × 12.9 cm). Date: ca. 1720-70.Copy in reverse in vertical rectangular composition with inscriptions. Verso not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Rectangular wood frame (Emilia) Cornice lignea rettangolare (Emilia), 17th Century, water gilding (fine gold) with bole, 28 x 34 x 6 cm

Madonna Bramantino (c1450-1536 Italian) Lombard school

Cornelis Schut; Daniel Seghers / 'Garland with Virgin and Child', 17th century, Flemish School, Oil on panel, 76 cm x 53 cm, P01907. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

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