Virgin and Child Artworks

A series of religious paintings featuring the Virgin Mary and Child, presented in varying styles and settings, emphasizing their spiritual significance.

Madonna In The Tent Raphael (1483-1520 Italian) Bavarian National Museum, Munich, Germany

Rafael Santi Madonna of the Connestable House of the Bracket; Ermitaż, Petersburg. Karta No. 222 W: The Galleries of Europe. Painting of Old Masters in the Colors of the Originals. Volume 6, Publisher of E. A. Seemann, Leipzig 1910. Publisher by A.E. Seemann in Leipzig, Santi, Raffaello (1483 1520)

Altarpiece of San Bernardino, by Lotto Lorenzo, 16th Century, 1521, oil on canvas, cm 287 x 268

Gerard David, The Rest on the Flight into Egypt, c 1510 The Rest on the Flight into Egypt

Virgin and Child. Central Italian; Italian, 15th century. Date: 1445-1455. Dimensions: 81.6 × 49 cm (32 1/8 × 19 1/2 in.). Tempera and oil on panel, gold ground, arched top. Origin: Central Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Unknown Central Italian.

fine arts, Murillo, Bartolome Esteban (1618 - 1682), painting, ""Madonna and Child"", oil on canvas, 1650/1660, Galleria Palatina, Palazzo Pitti, Florence,

PISANO, Nicola (1220-1278). Pulpit. 1260. ITALY. Pisa. Baptistery. Detail with the Adoration of the Magi. Renaissance art. Relief on marble.

Unknown Flemish master. Virgin with Child, ca.1520. Oil on oak panel. National Museum of Ancient Art. Lisbon, Portugal.

Federico Barocci Copy after / 'The Rest on the Flight into Egypt'. XVI century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

fine arts, Zick, Januarius (1730 - 1797), painting, ""Mary with Child"", Suermondt Museum, Aachen, Germany,

Salvator Mundi. Date/Period: 17th century. Painting. Oil on canvas Oil. Height: 508 mm (20 in); Width: 486 mm (19.13 in). Author: Italian School (Bolognese).

Madonna and Child with Donor. Dated: 1325/1330. Dimensions: painted surface: 50.8 × 23.5 cm (20 × 9 1/4 in.) overall: 51.5 × 24.2 × 0.5 cm (20 1/4 × 9 1/2 × 3/16 in.) framed: 70 x 36.2 x 5.1 cm (27 9/16 x 14 1/4 x 2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: LIPPO MEMMI.

Maestro de la Sisla / 'The Annunciation', ca. 1500, Spanish School, Panel, 200 cm x 100 cm, P01254. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Virgin and Child. Artist: Attributed to Simon Bening (Netherlandish, Ghent () 1483/84-1561 Bruges). Dimensions: Overall 10 x 8 1/4 in. (25.4 x 21 cm), with added strip of 3/8 in. (1 cm) at top; painted surface 9 5/8 x 8 1/4 in. (24.4 x 21 cm). Date: ca. 1520.Bening, a celebrated miniaturist, has taken the Virgin and Child from David's <i>Rest on the Flight into Egypt</i> (displayed nearby) and placed them in a different context. Joseph is absent, and there is no overt reference to the journey of the Holy Family. Thus, in keeping with a contemporary trend toward the secularization of religious scenes, Mary is presented as the very model of a nurturing mother. A stream of milk flows from her breast to the lips of the Child, who turns toward the viewer and gestures with a spoon, linking physical nourishment with the spiritual nourishment he offers. Museum: Metropolitan Museum of Art, New York, USA.

Madonna of Senigallia, by Piero della Francesca (1470-1485), oil on paper transferred onto wood, 61x53 cm.

Devotional plaque with The Madonna and Child with Donors. Culture: Italian, perhaps Emilia-Romagna (possibly Faenza) or the Marche. Dimensions: Overall (confirmed): 17 1/4 × 13 1/4 × 1 3/4 in. (43.8 × 33.7 × 4.4 cm). Date: ca. 1490-1500.Unlike many maiolica objects, this plaque has no function beyond displaying a painted image to the viewer. It retains the sense of domesticity associated with Renaissance maiolica vessels and tableware, but was made to encourage religious devotion. The small format and tightly cropped view of the Virgin and Child create an intimate relationship with the viewer, and the small kneeling donors at lower left present a model for worship in the home. The plaque imitates fifteenth-century panel painting and relief sculpture in both subject and form and even includes an integral frame. Museum: Metropolitan Museum of Art, New York, USA.

Virgin and Child Surrounded by Cherubs' Heads. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 15 3/4 × 14 1/4 in. (40 × 36.2 cm). Date: 1660. Museum: Metropolitan Museum of Art, New York, USA.

Judith with the Head of Holophernes. Date/Period: Ca. 1495/1500. Painting. Tempera on panel. Height: 30.10 mm (1.18 in); Width: 18.10 mm (0.71 in). Author: Andrea Mantegna or Follower (Possibly Giulio Campagnola).

The Lost Child, 1866. By Arthur Hughes

Passe, Crispijn van de (I), Utrecht, Sibyls, Sibylla Tiburtina., Tiburtine Sibyl, verso lower left - stamped, The Tiburtine Sibyl sits with a spear in her hand. In front of her stands a young girl who offers her a jug. In the margin a caption in Latin. Print from a series with sibyls., print, prent, prints, prenten, height 269 mm, width 194 mm, 1564 - 1637, print maker, prentmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Charity (Baglioni family Altarpiece, predella panel), Raphael (Raffaello Sanzio da Urbino) (1483-1520)

Alonso Cano/ Virgin and Child, 1645 - 1652. Oil on canvas, 162 x 107 cm. Deposited in the Museum of Malaga. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Virgin and Child with Saint John (recto), 1500s. Italy, 16th century. Pen and black ink and brush and brown wash and blue, green, red and red-purple gouache; sheet: 17.6 x 15 cm (6 15/16 x 5 7/8 in.); secondary support: 18.2 x 15.6 cm (7 3/16 x 6 1/8 in.); tertiary support: 18.2 x 15.6 cm (7 3/16 x 6 1/8 in.); quadratic support: 24.8 x 20.9 cm (9 3/4 x 8 1/4 in.).

Lazio Roma Monterotondo S. Maria delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture 15th century; sculpture, Orsini tomb 15th century; painting 14th century; frescoes. Two exterior views, of facade and flank; interior views of nave, altars, sculpture, and painting; comprehensive coverage of the Orsini tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

FLORENCE, TUSCANY/ITALY - OCTOBER 19 : Madonna and child with St John the Baptist painting in the Uffizi gallery in Florence on October 19, 2019

Campania Napoli Naples S. Lorenzo Maggiore130. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Onorio Marinari Copy after / 'The Virgin in Contemplation'. XVII century. Oil. Museum: Museo del Prado, Madrid, España.

Saint Christopher - Vincenzo Foppa - circa 1460

Mystical Wedding of Saint Catherine C.1524-1527 Parmigianino (1503-1540 Italian) Oil On Canvas Pushkin Museum of Fine Arts, Moscow, Russia

LA PURISIMA CONCEPCION - OLEO/LIENZO - 201X149,5 CMS - SIGLO XVII - BARROCO MADRILEÑO. Author: JOSE ANTOLINEZ (1635-1675). Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN. INMACULADA CONCEPCION.

Tuscany Siena Montalcino Museo Diocesano49. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cranach, Lucas, 'the Elder' (1472-1553). Loth and his daughters (Lot und seine Tšchter). 1528. Renaissance art. Oil on wood. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

San Sanseverino Marche (Italia, Marche - provincia di Macerata), Pinacoteca Civica P. Tacchi Venturi”, Allgretto Nuzi, Madonna dell’Umiltà (Madonna allattante)

Przeszłośc Przyszłości Gozzoli, Benozzo (ca 1421 1497)

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra7. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bernardino Campi (1521-1591). Italian painter. Presentation of the Child in the Temple, ca. 1572. Oil on canvas (91,5 x 170 cm). Ala Ponzone Civic Museum. Cremona. Italy.

Painting, Interior, Doge's Palace, Palazzo Ducale, Venice, Veneto, Italy, Europe

Charity, c. 1590. Abraham Bloemaert (Dutch, 1564-1651). Oil on wood; framed: 87 x 100 x 10.2 cm (34 1/4 x 39 3/8 x 4 in.); unframed: 68.6 x 54.5 cm (27 x 21 7/16 in.).

Madonna with Child in a room, by Martin Schongauer (ca 1430-1491).

Virgin andChild. Artist, possibly by: Domenico Puligo, Italian, 1492-1527

VIRGEN CON NINO-BARROCA. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPANIEN. VIRGIN MARY.

'St Anne'. Spain, Circa 1550-1555. Dimensions: 144,5x83 cm. Museum: State Hermitage, St. Petersburg. Author: Juan de Juanes (Vicente Juan Masip).

Michelangelo (1475-1564). The Holy Family with St. ca. 1505 - 1507. Realized on the occasion of the birth of Agnolo Doni and Maddalena Strozzi's first daughter. Renaissance art. Cinquecento. Tempera. ITALY. TUSCANY. Florence. Galleria degli Uffizi (Uffizi Gallery).

'Madonna and Child'. Italy, Late 1470s - early 1480s. Dimensions: 70x40 cm (with framing: 115x70 cm). Museum: State Hermitage, St. Petersburg. Author: JACOPO DEL SELLAIO.

Nicolas Poussin La Sainte Famille à l'escalier Deutsch: Heilige Familie auf der Treppe

José de Madrazo y Agudo / 'Allegory of Winter'. 1819. Oil on canvas. Museum: Museo del Prado, Madrid, España.

A Gentleman in Adoration before the Madonna. Dated: c. 1560. Dimensions: overall: 59.7 x 64.8 cm (23 1/2 x 25 1/2 in.) framed: 80 x 85.4 x 7 cm (31 1/2 x 33 5/8 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Moroni.

Artist: Pietro Nelli, Italian, active ca. 1375, died 1419, MourningVirgin, ca.1375, Egg tempera on panel, 37.66 × 12.88 cm (14 13/16 × 5 1/16in.), Italian, 14thcentury, Paintings

Head of The Virgin 1811 Pierre-Paul Prud'hon (1758-1823 French) Pushkin Museum of Fine Arts, Moscow, Russia

Russia, St. Petersburg, The Hermitage (aka Winter Palace). Italian Maconna & Child icon. (Editorial Usage Only)

Lazio Roma Rome S. Ignazio di Loyola98. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Mary Magdalene by Ambrosius Benson, Oil on wood, 1525-1550, 1495-1550, France, Bruges, Groeningemuseum, 69x55, 5

Hagar and Ishmael 1776, reworked 1803 Benjamin West American This painting illustrates the plight of Ishmael after he and his mother have been turned out of Abrahams household (Genesis 21). West exhibited the picture at the Royal Academy of Arts in London in 1776. In 1803 he changed both the figures and the background, repainted the angel, added draperies, and submitted the painting for a second exhibition. The Royal Academy ruled that no artist could show a work twice. West, who was the academys president from 1792 to 1820, was outraged. The controversy continued until 1806, when West was finally allowed to exhibit the picture. Listen to experts illuminate this artwork's story Listen Play or pause #4573. Hagar and Ishmael Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Hagar and Ishmael 13199

Alessandro Allori, called Alessandro Bronzino (1535-1607). Italian Mannerist painter. Holy Family. The Rest on the flight to Egypt, 1602. From the Church of Santo André and Santa Marinha (Graça), Lisbon (Portugal). National Museum of Ancient Art. Lisbon, Portugal.

New exhibition Koenigsmacher in the Albrechtsburg Meissen, Meissen, Saxony, Germany, Europe

Catherine of Aragon as Mary Magdalene; late 1400s-early 1500s; Oil on oak panel Michel Sittow; Netherlandish born in Estonial; about 1468-1525/26

Giorgione, oil on canvas, circa 1506, 1476-1510, Russia, St. Petersburg, State Hermitage, 46x39

Saint Sebastian, Raphael, circa 1502-1503, Accademia Carrara, Bergamo, Italy

Tuscany Siena Asciano S. Francesco0. Hutzel, Max 1960-1990 Romanesque-Gothic church and cloister dating from 13th-14th centuries, and somewhat restored in the 20th cent. The interior reflects the style of the 16th century with its classicized pedimental motifs in the architectural detailing. Of note is a terracotta sculptural group by the school of della Robbia, and a fresco cycle of the life and death of Christ by Giovanni da Asciano. There are miscellaneous frescos by artists from the Sienese school of the 17th century. Object Notes: Hutzel photo campaign date: July 17, 1982. General Notes: Prints of exterior in the Medival core collection. There are substantial holdings in the Marburger collection as well, see. nos. 22-23. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to th

Virgin of the Veil (The Virgin of the Blue Diadem - The Virgin, Child and young St John). Gianfresco Penni (Il Fattore, c1488-1528) Florentine painter.

Grabado de María Dolorosa. S. XVII de Pere Costa. BIblioteca Universidad de Barcelona.

The Holy Kinship. Dated: c. 1480/1490. Dimensions: overall: 128 x 112.5 x 27 cm (50 3/8 x 44 5/16 x 10 5/8 in.). Medium: polychromed wood. Museum: National Gallery of Art, Washington DC. Author: South German 15th Century (Swabian or Franconian).

Salvator Mundi. Artist: Domenico Fetti (Italian, Rome () 1591/92-1623 Venice). Dimensions: 23 1/2 x 17 1/4 in. (59.7 x 43.8 cm). Date: ca. 1622-23.The picture was painted in Venice for Count Francesco Gambara of Brescia. Fetti had moved to Venice from Mantua following a fight with a fellow painter. He was a master of loose brushwork, as this late work testifies. It shows Christ seated in clouds above a landscape, his left hand on an orb, his right raised in blessing, as he directs his gaze towards the viewer. The playful cherubs--especially the one peeking out beneath his blue cloak--and the illusionistic character of the composition are a sort of homage to the work of the great sixteenth-century painter Correggio. Museum: Metropolitan Museum of Art, New York, USA.

RUBENS , PEDRO PABLO. PINTOR FLAMENCO 1577 - 1640. " SAGRADA FAMILIA Y SAN JUAN " , OLEO. COLECCION BANCO ESPAÑOL DE CREDITO . MADRID JESUCRISTO. VIRGEN MARIA. SAN JOSE. Author: PETER PAUL RUBENS.

Virgin and Child ca. 1470-75 Andrea della Robbia Italian Andrea was the nephew and disciple of Luca della Robbia, who developed the blue and white glazes used on terracotta sculpture with which the name della Robbia is associated. By the time he made the Lehman Madonna, about 1470-75, Andrea had for some years been chiefly responsible for the output of the family shop in the via Guelfa, Florence. Although he was a faithful follower of his uncle's style, his own personality emerged in works such as this, with its exceptionally high relief, in which he achieved monumental forms without sacrificing any of that sweetness and harmony of expression for which Luca is so admired.. Virgin and Child. Andrea della Robbia (Italian, 1435-1525). Italian, Florence. ca. 1470-75. Glazed terracotta. Sculpture

Pieta, Vienna, Austria, Europe

Maria Met Kind, Antonio Rossellino, 1450 - 1475 stucco stucco

The Virgin with arms crossed over her chest, looking up to the left, in an oval frame, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Gilles Rousselet (French, Paris 1614-1686 Paris). Dimensions: Sheet (Trimmed): 15 13/16 × 11 1/4 in. (40.2 × 28.6 cm). Publisher: Gilles Rousselet (French, Paris 1614-1686 Paris). Date: 1640-45.After a painting by Reni. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Mother Protecting Her Child 1855-58 Oil on canvas by Camille Corot

Caritas, term for active charity and benevolence, painting by Lucas Cranach the Elder, 4 October 1472, 16 October 1553, one of the most important German painters, graphic artists and letterpress printers of the Renaissance, Historical, digitally restored reproduction of a historical original

Jan Stolker, Chimney piece message to Maria, In richly ornamented gilded frame, chimney painting painting material linen oil painting wood gold plaster, canvas bottom right signature and date: J Stolker pinx 1760 allegory Annunciation Rotterdam Stadscentrum Stadsdriehoek Leuvehaven Wijnhaven Originally from property Leuvehaven hoek Wijnhaven In 1908 transferred to Mecklenburglaan 8.

Antoni Viladomat / 'Escena familiar', s. XVIII. Colección privada.

Portrait of Geertruyt, Margriet and Anna Delff, the Artist's Daughters (Portrait of three Little Girls in a Landscape). Dating: 1660. Measurements: support: h 202.5 cm × w 187 cm; d 9 cm; w 45 kg. Museum: Rijksmuseum, Amsterdam. Author: Anthonie Palamedesz. (manner of). Jacob Willemsz. Delff (II).

Marches Macerata Matelica Museo Piersanti9. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mary Magdalene Reading by Isenbrant, Adriaen (1490-1551) / Museo del Prado, Madrid / First Half of 16th cen. / The Netherlands / Oil on wood / Bible / 45x34 / Early Netherlandish Art

Queen Luise with Prince Wilhelm after a marble statue by Fritz Schaper, Luise Duchess of Mecklenburg-Strelitz, known as Queen Luise of Prussia, full name: Luise Auguste Wilhelmine Amalie Duchess of Mecklenburg, 10 March 1776, 19 shore clingfish (1810), Historic, digital reproduction of a 19th century original, original date not known

Emilia-Romagna Ravenna Bagnacavallo Museo Civico3. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

PRIMEROS CELOS - 1957. Author: CASTILLO LASTRUCCI ANTONIO. Location: COMUNIDAD DE MADRID-COLECCION DE ARTE. MADRID. SPAIN.

St. Cecilia. Date/Period: 1649. Painting. Oil on canvas. Height: 1,216 mm (47.87 in); Width: 1,004 mm (39.52 in). Author: GUERCINO.

Madonna. Czyżewski, Tytus (1880-1945), painter

Enthroned Madonna, workshop in Friulian Slavia, 16th century, Palazzo Patriarcale, Dioezesan Museum with the Tiepolo Galleries, 16th century, Udine, most important historical city of Friuli, Italy, Udine, Friuli, Italy, Europe

The disturbed time (Caribbean Crisis) by Nemensky, Boris Mikhailovich (*1922)/ State Tretyakov Gallery, Moscow/ 1965/ Russia/ Oil on canvas/ Soviet Art/ 157x146,5/ Genre

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